An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Rainer Werner Fassbinder
El Hedi ben Salem,
Cary Scott is a widow with two grown children. She's been leading a quiet life since her husband died, socializing with a small circle of friends. Her children no longer live with her full-time but come home every weekend. She's not unhappy but also doesn't realize how bored she is. Her friend Sara Warren encourages her to get a television set to keep her company but she doesn't want that either. She develops a friendship with Ron Kirby who owns his own nursery and comes every spring and fall to trim her trees. Ron is much younger than Cary and their friendship soon turns to love. Her circle of friends are surprised that she is seeing such a younger man and she might be prepared to overlook that - Ron certainly doesn't care about the differences in their ages - but when her son and daughter vehemently object, she decides to sacrifice her own feelings for their happiness. Over time however, she realizes that her children will be spending less and less time with her as they pursue their... Written by
A major part of the movie revolves around the fact that Jane Wyman's character is supposed to be substantially older than Rock Hudson. In reality, Jane Wyman was only 38 and Rock Hudson was only 30 when they filmed this movie. See more »
We first see Cary drive a 1955 2 door Lincoln but several scenes later she is driving a 4 door Lincoln. It is possible that Cary, a recent widow, still had both the car she normally drove and her late husbands. This would account for the two different cars. See more »
It's 1950s small town America and rich society widow Cary Scott (Jane Wyman) has fallen in love with her gardener Ron Kirby (Rock Hudson), but can the gossipy town handle it? This beautifully filmed classic, directed by Douglas Sirk, is so touching. And even though it's considered a melodrama (and at times a bit syrupy--just watch for Bambi!) there is a deeper meaning underneath all that Technicolor. Listen for the Thoreau quote that Cary reads when she and Ron visit his friends, Mick and Alida Anderson. That's the whole lesson of the film summed up right there.
Added note: There's a classic line that Wyman says to Hudson in the car when he says that she should not let others influence her decisions, like his friend Mick, who had to learn how to be a man. She responds with "You want me to be a man." Then he says, "Well, just in that one way." It's funny now in retrospect!
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