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Abbott and Costello Meet the Mummy (1955)

Unrated | | Action, Adventure, Comedy | 23 June 1955 (USA)
Bud and Lou find themselves pursued by an Egyptian cult for a special medallion linked to a walking mummy.

Director:

Charles Lamont

Writers:

Lee Loeb (story), John Grant (screenplay)
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2 nominations. See more awards »

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Cast

Complete credited cast:
Bud Abbott ... Pete Patterson
Lou Costello ... Freddie Franklin
Marie Windsor ... Madame Rontru
Michael Ansara ... Charlie
Dan Seymour ... Josef
Richard Deacon ... Semu
Kurt Katch ... Dr. Zoomer
Richard Karlan Richard Karlan ... Hetsut
Mel Welles ... Iben
George Khoury George Khoury ... Habid
Eddie Parker ... Klaris (as Edwin Parker)
Mazzone-Abbott Dancers Mazzone-Abbott Dancers ... Dance Troupe (as The Mazzone-Abbott Dancers)
Chandra Kaly and His Dancers Chandra Kaly and His Dancers ... Dance Troupe
Peggy King ... Vocalist
Rest of cast listed alphabetically:
Paul Marion Paul Marion ... Native (scenes deleted)
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Storyline

In Egypt Peter and Freddie find the archaeologist Dr. Zoomer murdered before they can return to America. A medallion leads them to a crypt where a revived mummy provides the terror. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

They're back -- in their mummy's arms! See more »


Certificate:

Unrated | See all certifications »
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Details

Country:

USA

Language:

English | French

Release Date:

23 June 1955 (USA) See more »

Also Known As:

Bud Abbott and Lou Costello Meet the Mummy See more »

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Box Office

Budget:

$738,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Lou Costello had been suffering from rheumatic fever prior to filming, hence his slightly wan appearance. See more »

Goofs

Bud and Lou play back recordings on Dr. Zooma's reel to reel tape recorder multiple times, but they never once rewind it. See more »

Quotes

Bud Abbott aka Peter Patterson: [finding Professor Zoomer's body dressed in his long underwear] Is this the body you found earlier?
Lou Costello aka Freddie Franklin: Yeah, but before he had clothes on.
See more »

Crazy Credits

In the final credits, the boys are listed with fake character names. Throughout the movie, they use their real names. See more »


Soundtracks

You Came A Long Way From St. Louis
Written by Bob Russell and John Benson Brooks
Sung by Peggy King
See more »

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User Reviews

A good time for their last major movie together
30 July 2003 | by solongsuckersSee all my reviews

Abbott and Costello meet the Mummy is less of a movie then an episode of the Abbott and Costello show. Marjorie Windsor is a terrifically determined villainess and she helps to give the movie some drama and dark charisma but the movie is too unstructured otherwise. It's more on a final, undisciplined romp for Abbott and Costello. Even though their chemistry is long since gone, they are still brilliant comedians and they fake their way through the movie with a plethora of stand up bits. The good, clean comedy is a nice breath of fresh air. The opening slapstick gets the movie off on a good foot and the stage act (three women and one man) that performs is INCREDIBLE. The cult of Klaris is a major bore, ranging from the incredibly non-Egyptian "Egyptian" Richard Deacon to the cult, itself, that features a man who is clearly either Tibetan or Chinese. The routine that Costello does with the lady is hilarious and high spirted and the bit with the amulet is well timed. The plot point of Costello eating the amulet (in pieces) and then it appearing intact in his stomach is meaningless here as the whole movie is not for purists. The mummy is a major disappointment as the "bandages" look like a pajama outfit with a bandage pattern. Abbott gets into mummy's "wraps" for pretty much no reason other then to have three mummy's running around at one point. As if sensing that this is their last big blowout together, Costello is very natural with his criticisms of Abbott and Abbott seems almost too real with his abuse of Costello. Whatever dysfunction they had in their later years, they do their best here to slug it out. Costello acts like a man ready to jump off ship and he seems to be lightening his load for his journey. He gives a very light and a very funny performance. Abbott is sharper then he has been in years. Abbott was so sharp in his younger days that he looks bad in comparison here but his worst is still better then most people's best. The plot is pretty much garbage and unenthralling and the mummy is completely impotent but the performances of Abbott and Costello and Marie Windsor help move the show.


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