Professor Quatermass is trying to perfect a dangerously unstable nuclear-powered rocket engine. After a disastrous test firing in Australia, his soon-to-be son-in-law, Captain John Dillon, d... Read allProfessor Quatermass is trying to perfect a dangerously unstable nuclear-powered rocket engine. After a disastrous test firing in Australia, his soon-to-be son-in-law, Captain John Dillon, draws the Professor's attention to a strange hollow meteorite which interrupted an Army Tra... Read allProfessor Quatermass is trying to perfect a dangerously unstable nuclear-powered rocket engine. After a disastrous test firing in Australia, his soon-to-be son-in-law, Captain John Dillon, draws the Professor's attention to a strange hollow meteorite which interrupted an Army Training exercise. Quatermass and Dillon investigate, and discover a vast government producti... Read all
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The story by scifi specialist Nigel Kneale was hi-tech stuff then. Alien spores infiltrated the earth's atmosphere crashing to earth in small rock-size meteorites. On contact by individuals, the smallest stream of vapor would escape and enter the victim who became "one of them" - looking unchanged, but "taken over" body-snatcher style! As always, a major Government cover-up allowed an enormous domed plant to be built - quite impenetrable and unaccountable seemingly to anyone. Of course, once Bernard Quatermass was on the case, things moved along.
The first real horror came at the end of episode 2 I think when Quatermass stumbles across some poor worker who has tumbled down a flight of metal steps having tried to get into the dome. He is covered with a black shiny resin burning him to death. Might sound a cack now, but in 1955 it was gruesome and horrific. As the extent of the "takeover" becomes apparent, Quatermass and his small team of assistants realise they must break into the dome at all costs. What they find is seared on my mind for all time. The dome is full of boiling slimy protoplasmic shapes which rear up as the camera pans closer..thats the only way to describe them, existing in an artificially created environment which is a replication of the conditions upon their own asteroid. As the credits rolled on that episode, not too many people in Britain would have been saying much!
Ultimately, the dome is destroyed despite the "thing's" valiant attempts to defend their earth-base. The concluding episode saw the locating of the asteroid and Quatermass's final flight there to destroy the alien threat. One would today laugh at both the rocket and the alien life-forms as they all but crushed the ship in the dying seconds. You wouldn't have laughed in 1955!
Val Guest's big screen remake: ENEMY FROM SPACE many years later, was certainly OK but could never hold a candle to this original work which as many have commented is just about impossible to find. I actually have a softcover book of this great film series, complete with the entire dialog and several plates from the old black and white serial. It is one of my favorite possessions.
All things considered, I guess I prefer the films to the serials for two reasons: one, the fact that the former - even if still done on a low budget - were invariably more polished (given their crisp photography as opposed to the fuzziness of a TV program); the other reason is the essential tautness of the films - the serials don't necessarily feel draggy and are certainly never boring but, watched in one sitting (which, I guess, was never the intention to begin with!), Kneale's gripping and thought-provoking plots could make for a tiresome overall experience!!
John Robinson replaced Reginald Tate (who had died in the meantime) as Professor Quatermass; he does a good job at it but, from the three actors who performed the character on TV (I haven't watched John Mills in the final serial, named simply QUATERMASS, from 1979), he's the one who comes closest to Brian Donlevy's interpretation in the first two films and which so dissatisfied Kneale! The cast also features Hugh Griffith as Quatermass' assistant and future stalwart of British horror cinema Rupert Davies as a government official.
The fact of these being live broadcasts was betrayed more than anything else during this particular serial by the surprising number of lines flubbed by the actors throughout - chief among them Robinson himself! Besides, even if scenes that were made memorable by the films (which I obviously watched prior to the serials) generate their own tension and excitement on the small screen, the film's ending is preferable to the one presented here - in which Robinson and Griffith are flown into outer space in order to destroy the planet which was attempting to colonize Earth.
Sadly, the acting from the principal cast is abysmal and hampers an otherwise engaging story, especially that of the gravely miscast John Robinson in the role of Quatermass. His difficulty with the technical dialogue and uncomfortable demeanour behind the scenes bleed into his performance, that said, the deck was stacked firmly against him due to the unfortunate death of original Quatermass actor Reginald Tate and Robinson being a last-minute change. However, there's a small bright spot in Episode 4 thanks to Roger Delgado in a supporting role as a journalist who assists Quatermass before falling victim to the mark. The production values are noticeably worse than that of the original serial, which was made for nearly half the amount afforded to this sequel; I will say, however, that the model shots are well realised and the increased prominence of 35mm inserts is more than welcomed.
Quatermass II is an extremely rough ride, there's a small high point during Episodes 4 & 5 but it just falls apart by the end with possibly one of the worst cases of budgetary mismanagement I've ever witnessed. A real shame for what could have been one of the high points of British sci-fi, we can at least take comfort in that Robert Holmes retooled Kneale's ideas from this serial and delivered a much more worthwhile affair 15 years later...
Being honest here, I never have been too much a fan of British made films as comparatively they always had what I (personal opinion - NOT meant as a negative!) felt was a cheap, amateurish feel to them. I still see this in some of today's work. However, this movie was quality done for its day. The actors, for the most part don't deliberately "act" so it distracts from the plot. Instead they seem immersed enough to make the plot flow smoothly.
A definite fun watch, and likely I will watch it again. When taken in context of the time period it was made, it would rate a full 10... I think. But just b/c this review may be read by people too young to remember/understand this was made in a much different time period and culture, I rated it an 8. Its certainly not part of the Star Wars series ... but to enjoy these old films, people must realize watching it to make a comparisons with modern productions will always be disappointing.
Watch films like this for the fun of seeing how people back then saw sci fi. Then they become very enjoyable since you get to experience the mindset underlying today's sci fi culture, and you can see where we came from!
Storyline
Did you know
- TriviaThirty workers from the Shell refinery participated in the riot scenes filmed for The Frenzy (1955).
- GoofsDuring the rocket launch in Episode 6, the rod supporting the model rocket can be seen.
- Quotes
Prof. Bernard Quatermass: Dillon, there's something on your face!
- Alternate versionsEpisode Three ("The Food") was broadcast in 1991 as part of the programming celebrating the history of the BBC's Lime Grove facility. In order to fit into the half-hour timeslot, several minutes of footage were cut from the episode.
- ConnectionsFeatured in Bite Back: Episode #1.19 (1993)
- SoundtracksZero Minus Sixty
Composed by Robert Farnon
Performed by The Melodi Light Orchestra
Conducted by Ole Jensen
Courtesy of Chappell Recorded Music Production Library
- How many seasons does Quatermass II have?Powered by Alexa
Details
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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