Marshal Earp keeps the law, first in Kansas and later in Arizona, using his over-sized pistols and a variety of sidekicks. Most of the saga is based loosely on fact, with historical badguys...
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The wife of a wounded outlaw takes him to Tombstone for medical attention as he has decided to go straight. Earp learns who he is but doesn't trust him when a member of his gang is caught casing out ...
Wyatt tries to put a stop to ongoing border skirmishes between the Clanton gang and Mexican bandits. He's worried that if Old Man Clanton is killed, a bloody fight for power will erupt among his sons...
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts, and Rocky Mountains. The first treks were led by gruff, ... See full summary »
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (five-card draw) is ... See full summary »
The Double R Ranch featured "The King of the Cowboys" Roy, his "Smartest Horse in the Movies" Trigger, "Queen of the West" Dale, her horse Buttermilk, their dog Bullet, and even Pat's jeep, Nellybelle.
Mike Nelson is a S.C.U.B.A. diver in the days when it was still very new. He works alone, and the plot was mostly carried through his voice-over narrations. These gave the show a flavor of ... See full summary »
The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Garth, the Grainger brothers, and Colonel MacKenzie. It is the setting for a variety of stories, many more ... See full summary »
Marshal Earp keeps the law, first in Kansas and later in Arizona, using his over-sized pistols and a variety of sidekicks. Most of the saga is based loosely on fact, with historical badguys and good guys, ending up with the famous shootout at the O.K. corral. Written by
Ed Stephan <firstname.lastname@example.org>
This show, along with Gunsmoke (1955) helped launch a great era of the TV western. Westerns became so popular on TV that by the end of the 1950s, there would be as many as 40 Westerns in prime time. See more »
Okay, here's my gripe. If you're going to make a Western series about a famous American Old-West character with a MUSTACHE, which, by the way, was the lawman's most prominent feature, FOR HEAVEN'S SAKE! MAKE THE ACTOR GROW A CRUMMY MUSTACHE! Or, if he refuses, FOR PITY'S SAKE, HAVE MAKE-UP GLUE ONE TO HIS UPPER LIP! I mean, THIS IS Hollywood, for cryin' out loud!
Also, Wyatt Earp WAS NEVER MARSHALL OF TOMBSTONE! I don't know where they got this stuff.
Hugh O'Brien (who was once introduced as "Hug" O'Brien on "The Hollywood Palace" by Raquel Welch. She, of course was playing dumb-ditz that night and it had to be explained by the host - Bing Crosby? - that the "h" made the "g" silent) was a little froo-frooed with the silk vest and all that.
And, what was up with that theme song? Any Western that had a barber-shop quartet sing its theme song deserves no respect! "Wyatt Earp. Wyatt Earp. Brave, courageous and bold. Long live his name and long live his glory," etc. Please! The words were a bit more Ivanhoe-ish than fit for a rootin' tootin' shoot 'em up Western.
All funnin' aside, yeah, as a tyke, I liked this show. It was a good old Western with gun-slingin' and horses.
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