Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts, and Rocky Mountains. The first treks were led by gruff, ... See full summary »
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (five-card draw) is ... See full summary »
The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Garth, the Grainger brothers, and Colonel MacKenzie. It is the setting for a variety of stories, many more ... See full summary »
The Cannon family runs the High Chaparral Ranch in the Arizona Territory in 1870s. Big John wants to establish his cattle empire despite Indian hostility. He's aided by brother Buck and son... See full summary »
Marshal Matt Dillon is in charge of Dodge City, a town in the wild west where people often have no respect for the law. He deals on a daily basis with the problems associated with frontier life: cattle rustling, gunfights, brawls, standover tactics, and land fraud. Such situations call for sound judgement and brave actions: of which Marshal Dillon has plenty.Written by
Murray Chapman <firstname.lastname@example.org>
Three of the children from The Brady Bunch (1969) appeared in episodes: Christopher Knight (Peter Brady) appeared in season fourteen, episode ten, "The Miracle Man". Eve Plumb (Jan Brady) appeared in season fourteen, episode eighteen, "Gold Town", and Susan Olsen (Cindy Brady) was in two, they were season fourteen, episode eight, "Abelia", and season fifteen, episode six, "A Man Called Smith". See more »
Most of the social, racial and political attitudes expressed by the characters during the series reflect the 1950s thru 1970s airing of the series rather than its 1870s/1880s setting. See more »
[sitting at the bar in episode "Slocum"]
Excepting some women, of course, just ain't nothing prettier than a full bottle.
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The best of the series is the first five years when John Meston did most of the writing. He had a real feel of, what I perceive to be, the Old West to be really like. He did not go in for all of the frivolousness of later episodes. He did not rely on loud talking and grandiose brashness by the actors.
People in the earlier episodes gave the impression that they were ordinary, hard working people who barely eked a living out of a hard land. They did what they had to do to get by, out on the lonely Kansas plains. When they met disaster, it was "implied" on screen and the viewer could use his imagination as to what happened. Those shows did not have all of the "Hollywood" glitz that pervaded later episodes.
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