A successful song-and-dance team become romantically involved with a sister act and team up to save the failing Vermont inn of their former commanding general.A successful song-and-dance team become romantically involved with a sister act and team up to save the failing Vermont inn of their former commanding general.A successful song-and-dance team become romantically involved with a sister act and team up to save the failing Vermont inn of their former commanding general.
IMDb RATING
7.5/10
43K
YOUR RATING
- Director
- Writers
- Norman Krasna(written for the screen by)
- Norman Panama(written for the screen by)
- Melvin Frank(written for the screen by)
- Stars
- Director
- Writers
- Norman Krasna(written for the screen by)
- Norman Panama(written for the screen by)
- Melvin Frank(written for the screen by)
- Stars
- Nominated for 1 Oscar
- 1 nomination total
Vera-Ellen
- Judy Haynes
- (as Vera Ellen)
Leon Alton
- Anniversary Party Guest
- (uncredited)
Al Bain
- Anniversary Party Guest
- (uncredited)
Frank Baker
- Anniversary Party Guest
- (uncredited)
Benjie Bancroft
- Anniversary Party Guest
- (uncredited)
Mary Bayless
- Nightclub Patron
- (uncredited)
Joan Bayley
- Dancer
- (uncredited)
Brandon Beach
- Anniversary Party Guest
- (uncredited)
Paul Bradley
- Waiter
- (uncredited)
Tex Brodus
- Anniversary Party Guest
- (uncredited)
- Director
- Writers
- Norman Krasna(written for the screen by)
- Norman Panama(written for the screen by)
- Melvin Frank(written for the screen by)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to Rosemary Clooney, the "midnight snack" scene in which Bob Wallace expounds on his theory of what foods cause what dreams was almost entirely improvised.
- GoofsIn the first dressing room scene, Judy is pouring coffee for herself and Betty and clearly puts down the coffeepot. When the scene cuts, she is still holding the coffeepot.
- Quotes
Phil Davis: My dear partner, when what's left of you gets around to what's left to be gotten, what's left to be gotten won't be worth getting, whatever it is you've got left.
Bob Wallace: When I figure out what that means I'll come up with a crushing reply.
- Crazy creditsThis film was the first feature to use the VistaVision Paramount logo. A new logo, created especially for wide-screen, this logo appears more realistic and features a shot of a canyon with trees around it. The sky is more distant in depth and is full of contrast. The Paramount logo is pretty much the same as before here. The screen credit "Paramount (with the "P" written in their corporate font) proudly presents the first picture in" first appears over the mountain, and then the VistaVision logo appears, then the Paramount logo plays as usual (with the final notes of the Paramount on Parade march, followed by a bell sound). The Paramount mountain, with minor variations until 1986, served as the basis for the company logo for more than 30 years.
- ConnectionsFeatured in The Colgate Comedy Hour: Final Show of the Colgate Comedy Hour (1955)
- SoundtracksWhite Christmas
(uncredited)
Words and Music by Irving Berlin
Sung by Bing Crosby
Reprised during the finale by Bing Crosby, Danny Kaye, Rosemary Clooney, and Vera-Ellen (dubbed by Trudy Stevens) (uncredited)
Review
Featured review
An Encompassed Feeling Nearly Lost in Time
Watching White Christmas is like a remembrance of past nostalgias. It all brings me back to a time when I was young, where Christmas was the single most magical event there ever was. It was a time of endless and unbreakable euphoria, a feeling nearly unattainable with my age. And yet, this film managed to incite even more from me. Through its difference it comes to represent not only the past, but also the present. To show how these past nostalgia have shaped us into a hopeful and wiser version of ourselves, making me all the more grateful for today. Hidden beneath this glamorous portrayal of Christmas and performance, is something of true human sincerity and the ever present love for the moment, propelling the film into something extraordinary.
First off, one aspect that sticks out about this film is it's dialogue. Upon hearing the back and forths it is all purely fun! The dialogue is witty and always feels as if it's consequential, as it's constantly building up to the next event. However, the main staple is how revealed these characters become through communication. Every piece of banter between each character gradually leads up to one being sincere. Slowly but surely the essence of each character begins to break through. We can't help but feel that they actually pondered the situation with the intelligence of a real person and simply stated what they felt deep down. It's a testament to this film on how much it respects and communicates the true human essence of each character. In a way, and like all great films, the dialogue felt like a reflection of real life. How so many of our conversations feel light hearted, with an emphasis on humor, and yet it's through these discussions that staples of who we truly are end up seeping through.
It's because of how well defined each character is that the humor with it worked all the better. It's like a sitcom cast that you're well acquainted with. It's not the specific joke written, but the character actually saying it. The feeling that these real people, with all their complexities known to us, are actually saying these lines as if it was thought up in the moment. This can't help but propel life into it, containing the human aspects lacking on paper.
Another notable aspect is its cinematography. In this case the camera felt like a character. It always seems to be reacting with the most insightful responses. It pans from thing to thing, highlighting the individual in the room and detailing them through their telling movements. It also embodies the mood of the room. This is ever present when the said mood is romance. The camera always seems to start with a subjective wide shot, encompassing the characters within a large room, as it seems to get seductively closer and closer. Pretty soon it's all built up to the max of anticipation. And then they kiss, making us feel as if it was truly worked for. But it's not all personal. There's glamour to the musical numbers, as these fantasy like moments are perfectly communicated through the camera that seems to soar as it takes up each bit of beautiful scenery. It all then becomes fulfilled with the beautiful and seamlessly intricate dances.
And of course, the dancing and music is perfect. This is all obvious when including such professionals. Of course it will be perfect! But what about the "why" of it? How does it communicate the present emotions of the story? Well, pretty amazingly and it's the reason why it holds up so much as a musical. The dancers themselves felt suave, respectable, and yet harnessed this child like fun to it all. They use this to perfectly communicate the almost funny feelings of love, the unrelenting and yet seamless energy towards passion, and (most beautifully) the true joyful feeling of the present moment, where everything right seems to hit you all at once. Music all adds to this, through its communication of the joyfulness, the melodrama, the energy, and the liveliness of Christmas! It's all very glorious, as both communicated these feelings far greater than it could have been done any other way.
As I write this now it is Christmas Eve. Having seen this movie I feel as if part of my past spirit of childhood has been restored to me. I'm bewildered on how much a film like this could instill into a person, and I'm so grateful to have seen it. As I go to bed tonight, restless and anticipating Christmas Day, I have no doubt that I'll be counting my blessings instead of sheep.
And on a final note: Happy Holidays to whoever is reading! Whether you be young or old, or have the holiday spirit or not, I wish you the best!
First off, one aspect that sticks out about this film is it's dialogue. Upon hearing the back and forths it is all purely fun! The dialogue is witty and always feels as if it's consequential, as it's constantly building up to the next event. However, the main staple is how revealed these characters become through communication. Every piece of banter between each character gradually leads up to one being sincere. Slowly but surely the essence of each character begins to break through. We can't help but feel that they actually pondered the situation with the intelligence of a real person and simply stated what they felt deep down. It's a testament to this film on how much it respects and communicates the true human essence of each character. In a way, and like all great films, the dialogue felt like a reflection of real life. How so many of our conversations feel light hearted, with an emphasis on humor, and yet it's through these discussions that staples of who we truly are end up seeping through.
It's because of how well defined each character is that the humor with it worked all the better. It's like a sitcom cast that you're well acquainted with. It's not the specific joke written, but the character actually saying it. The feeling that these real people, with all their complexities known to us, are actually saying these lines as if it was thought up in the moment. This can't help but propel life into it, containing the human aspects lacking on paper.
Another notable aspect is its cinematography. In this case the camera felt like a character. It always seems to be reacting with the most insightful responses. It pans from thing to thing, highlighting the individual in the room and detailing them through their telling movements. It also embodies the mood of the room. This is ever present when the said mood is romance. The camera always seems to start with a subjective wide shot, encompassing the characters within a large room, as it seems to get seductively closer and closer. Pretty soon it's all built up to the max of anticipation. And then they kiss, making us feel as if it was truly worked for. But it's not all personal. There's glamour to the musical numbers, as these fantasy like moments are perfectly communicated through the camera that seems to soar as it takes up each bit of beautiful scenery. It all then becomes fulfilled with the beautiful and seamlessly intricate dances.
And of course, the dancing and music is perfect. This is all obvious when including such professionals. Of course it will be perfect! But what about the "why" of it? How does it communicate the present emotions of the story? Well, pretty amazingly and it's the reason why it holds up so much as a musical. The dancers themselves felt suave, respectable, and yet harnessed this child like fun to it all. They use this to perfectly communicate the almost funny feelings of love, the unrelenting and yet seamless energy towards passion, and (most beautifully) the true joyful feeling of the present moment, where everything right seems to hit you all at once. Music all adds to this, through its communication of the joyfulness, the melodrama, the energy, and the liveliness of Christmas! It's all very glorious, as both communicated these feelings far greater than it could have been done any other way.
As I write this now it is Christmas Eve. Having seen this movie I feel as if part of my past spirit of childhood has been restored to me. I'm bewildered on how much a film like this could instill into a person, and I'm so grateful to have seen it. As I go to bed tonight, restless and anticipating Christmas Day, I have no doubt that I'll be counting my blessings instead of sheep.
And on a final note: Happy Holidays to whoever is reading! Whether you be young or old, or have the holiday spirit or not, I wish you the best!
helpful•70
- The_Dman313
- Dec 25, 2018
Details
Box office
- Gross US & Canada
- $928,298
- Opening weekend US & Canada
- $566,045
- Dec 9, 2018
- Gross worldwide
- $1,099,207
- Runtime2 hours
- Color
- Aspect ratio
- 1.85 : 1
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