Robert Taylor and Eleanor Parker star as a Kentucky backwoodsman and the woman who will NOT let anything interfere with her plans to marry him in this humorous romantic adventure through the American Frontier of 1798.
Hard-boiled archeologist Mark Brandon is searching for ancient tombs in Egypt when he is approached by beautiful Ann Mercedes, who convinces him to help her fulfill her deceased father's life's ambition - to provide solid proof of the biblical Joseph's travels in ancient Egypt. As an ex-pupil of Ann's father Mark accepts and the two embark on a search for the tomb of the Pharoah Ra Hotep, said to have had some connection with Joseph. The trail to the tomb is fraught with intrigue, betrayal, murder and the possibility that the tomb itself has been emptied of all its artifacts by ancient looters.Written by
Doug Sederberg <firstname.lastname@example.org>
As the monks work the turnstiles Wichita raise the basket to the top of the wall the chant "Vere" which is Russian for "Faith". It may be assuming therefore they are Russian Orthodox and not Greek Orthodox. See more »
Before the desert sandstorm, a rabbit is shown crouching beside a clump of grass, with a tile or flat square stonework nearby. After the storm, there are different shots showing how the sand covered things over... except for the rabbit, the clump of grass, and the flat stonework. See more »
I really enjoyed looking at both actors. Robert Taylor with his piercing blue eyes and handsome profile. It was a real pleasure just to look at him. And Eleanor Parker is Eleanor - always beautiful, calm and elegant as ever.
The chemistry between Robert Taylor and Eleanor Parker was very good. I felt the characters themselves were well-portrayed.
The only let-down was the plot and the Director.
It started so well but you find that some situations did not make sense and you felt the direction of the film was everywhere and going nowhere. It didn't flow jumping from one place to another then started to lag half-way through the movie.
The budding romance between Robert Taylor and Eleanor Parker didn't make sense either. I mean if you were Eleanor's husband would you leave her constantly with Robert Taylor shouldn't the husband be more attentive. He was practically throwing them together and didn't seem too unhappy when her affections had changed direction. Such one dimensional character is almost too painful to watch.
It was then pretty obvious from the beginning who the villain would be but watching Philip Mercedes against Robert Taylor, well it was just too obvious.
It was such a shame considering this film had so much potential and who knows, with a better Director and stronger plot this could have turn into a box-office hit.
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