The Woman of Rumour

The Japanese master Kenji Mizoguchi who gave us some gems as WOMAN OF THE NIGHT, UGETSU and masterpiece THE LIFE OF OHARU just named what I saw only, nearby his death made another thematic picture concerning Geishas, this turn the main plot is focused in a widow woman owner of a upper class Geisha's house, where her unique daughter tried against your own life by overdose of medicine pills after be rejected by an young suitor due her mother's business.

When she is back from Tokyo his mother advised her personal Geisha's doctor takes care of her weepy daughter, oddly enough the widow old lady has a romantic interest in the young doctor aiming for an upcoming marriage, the still faltering guy would accepts such offer upon some allowance as an own large clinic to work by himself, granted by the lovesick blind old lady, turns out that doctor falling in love by her beauty daughter, meanwhile the sorrow girl appeases her sadness aiding those poorest Geishas there, however the storm is coming.

It's a slow pace melodrama, although the angry viewer has to be patient to be finally reward on final sequences, it bringing some understanding regarding the hardy life those girls at fifties, in a nutshell how many customers are coming more Geishas will be required, it's punch at stomach of the audience, nonetheless it is the real life for this moment, maybe in the future...who knows???

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First watch: 2025 / How many: 1 / Source: DVD / Rating: 8.

There is not really much that could be said about this beautifully executed film; if you are familiar with Mizoguchi's themes, you will most likely know that the majority of his films are based on women's suffering. This film is no exception; it revolves around a geisha house run by a widow whose daughter had attempted to commit suicide, after her boyfriend found out about her mother's everyday profession (this can actually be found in the film's synopsis). However, the daughter then decides to look after all the women carrying out their duties at her mother's business, as she learns they are there because hard times require it. Between mother and daughter mediates a young doctor who also takes part in the business, taking good care of the geisha.

I would recommend this film to anyone interested in classic Japanese cinema. However, if you are new to Mizoguchi, you might want to start with his most famous films.

My score: 9/10

How does a middle-aged woman hold the attention of a handsome young man when her attractive and intelligent daughter captures his attention ? Can she fight back ? Is bribery an effective tactic ? An age-old story where three top-rank actors tend to overact, but are kept in check by master director Mizoguchi. And the intensity of the main story is nicely balanced by the little day-to-day dramas of running a bawdy house. The side-story of the geisha who collapses and becomes very ill, and the appearance of her younger sister who begs to take her place because of family poverty, is touching and well-handled.

I've seen several movies made around this time on theme of geisha houses lately, and although this is one of lesser among them, I would nevertheless recommend this movie. Tanaka Kinuyo and Kuga Yoshiko are two of Japan's great actresses of the 50s, and to see them slug it out over a weak and vain young man is something to behold.

Lesser known Kenji Mizuguchi melodrama nonetheless reveals his mastery for realistic, highly dramatic and heart-felt stories of female fates; superb cast, beautiful cinematography and excellent settings all around.

The woman who is talked about and rumored or crucified in the titles of this film, is widowed but independently and well manages a Geisha house. She is no longer young but still charming and has a young doctor as a lover who regularly visits the house. Suddenly the woman's daughter, about twenty years old, returns from Tokyo after years, after having attempted suicide. From here begins a story that alternates drama, scenes of life, intimate psychology, art, crazy love.

Film directed by Mizoguchi in 1954 where the director, as in other films, is very good at alternating, making coexist and merging multiple atmospheres and genres. Not too slow narration, attention to psychology, feelings. There are very deep and visually strong scenes that remain, especially those of classical Japanese theater.

I highly recommend this film for watching a drama told in a splendid, artistic and profound way. After watching about ten films I can say that Kenji Mizoguchi surprises each time in a different and positive way.