
Uli der Knecht (1954)
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- 1h 55min
- Comedy, Drama
- 25 Dec 1954 (West Germany)
- Movie
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Cast
Liselotte Pulver | ... |
Vreneli
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Hannes Schmidhauser | ... |
Uli
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Heinrich Gretler | ... |
Bodenbauer
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Emil Hegetschweiler | ... |
Joggeli - Glunggenbauer
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Alfred Rasser | ... |
Baumwollhändler
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Marianne Matti | ... |
Elisi - Joggelis Tochter
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Erwin Kohlund | ... |
Johannes - Joggelis Sohn
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Max Haufler | ... |
Karrer
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Hedda Koppé | ... |
Glunggenbäuerin
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Peter Markus | ... |
Melker
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Robert Bichler | ... |
Dresli
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Elisabeth Schnell | ... |
Annelisi
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Stephanie Glaser | ... |
Trinette - Johannes' Frau
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Gertrud Jauch | ... |
Bodenbäuerin
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Linda Geiser | ... |
Uersi
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Adolf Bähler | ... |
Pfarrer
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Anneliese Egger | ... |
Stini
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Rest of cast listed alphabetically: | |||
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Anna Burkhalter | ... |
Meieli (uncredited)
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Christina Lanz | ... |
Annebäbeli (uncredited)
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Walter Lapp | ... |
Wirt (uncredited)
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Directed by
Franz Schnyder |
Written by
Richard Schweizer | ... | (screenplay) |
Werner Düggelin | ... | () (uncredited) |
Jeremias Gotthelf | ... | (novel) |
Franz Schnyder | ... | () (uncredited) |
Richard Schweizer | ... | (adaptation) |
Christian Lerch | ... | (dialogue: Bern dialect) |
Produced by
Oscar Düby | ... | producer |
Music by
Robert Blum |
Cinematography by
Emil Berna |
Editing by
Hans Heinrich Egger | ||
Hermann Haller | ... | (uncredited) |
Editorial Department
Hedy Schacher | ... | assistant editor |
Art Direction by
Max Röthlisberger |
Costume Design by
Robert Gamma |
Makeup Department
Bruno Devizzi | ... | makeup artist (as Bruno De-Vizzi) |
Hans Hügi | ... | hair stylist |
Production Management
Max Dora | ... | production manager |
Werner Düggelin | ... | unit manager |
Georges Schellenbaum | ... | assistant unit manager (as G. Schellenbaum) |
Second Unit Director or Assistant Director
Hans Gaugler | ... | assistant director |
Art Department
Albert Knöbel | ... | property master |
Manzer | ... | carpenter |
Adolf Rebsamen | ... | construction coordinator |
Adolf Dolder | ... | carpenter (uncredited) |
Meier | ... | carpenter (uncredited) |
Georges Schellenbaum | ... | props (uncredited) |
Sound Department
Kurt Hugentobler | ... | sound |
Bruno Kohler | ... | assistant sound |
Walter Weller | ... | assistant sound |
Camera and Electrical Department
Albert Hächler | ... | gaffer |
Angelo Vanazzi | ... | assistant camera |
Klaus Bietenholz | ... | lighting technician (uncredited) |
Fischer | ... | lighting technician (uncredited) |
Peter Meienberger | ... | lighting technician (uncredited) |
Script and Continuity Department
Marty Vlasak | ... | script supervisor |
Additional Crew
Alice Bischof | ... | production secretary |
Viktor Rusalem | ... | production accountant |
Production Companies
- Gloriafilm A.G.
- Confédération Helvétique (support)
- Pro Helvetia (support)
- Union Laitière Suisse (support)
- Zürcher Filmkollektiv der Gloriafilm
Distributors
- Beretta-Film (1954) (Switzerland) (theatrical)
- Praesens-Film (1960) (Switzerland) (theatrical)
- Union Film (1955) (Austria) (theatrical)
- Praesens-Film (2004) (Switzerland) (DVD)
- Universum Film (UFA) (2006) (Germany) (DVD)
- filmo - Verein CH.Film (2022) (Switzerland) (video)
Special Effects
Other Companies
Storyline
Plot Summary |
Uli, who works on the Boden farm, is a bawdy, careless, spendthrift. Lectured by his master, he becomes aware that if he is to escape his abject condition, he must reform. Accordingly, he leaves farm girl Anneliesi, turns his back on his drinking companions, and starts working hard. His reputation improves so much so that Joggeli, an old farmer, hires him to restore order in the Giungge farm where chaos is rife. Using strong-arms tactics, Uli attains his ends and soon becomes indispensable. Attracted to the sweet Vreneli, Uli is unfortunately lured by Elisi, the master's scheming daughter. Written by Guy Bellinger |
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Parents Guide | Add content advisory for parents » |
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Box Office
Budget | CHF600,000 (estimated) |
Did You Know?
Trivia | Léopold Lindtberg was initially considered for directing the film. See more » |
Movie Connections | Followed by Uli the Tenant (1955). See more » |