The earliest atomic tests in New Mexico cause common ants to mutate into giant man-eating monsters that threaten civilization.The earliest atomic tests in New Mexico cause common ants to mutate into giant man-eating monsters that threaten civilization.The earliest atomic tests in New Mexico cause common ants to mutate into giant man-eating monsters that threaten civilization.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 1 win & 3 nominations total
Christian Drake
- Trooper Ed Blackburn
- (as Chris Drake)
Mary Alan Hokanson
- Mrs. Lodge
- (as Mary Ann Hokanson)
Olin Howland
- Jensen
- (as Olin Howlin)
Richard Bellis
- Mike Lodge
- (uncredited)
John Beradino
- Patrolman Ryan
- (uncredited)
Robert Berger
- Patrolman Sutton
- (uncredited)
Oscar Blank
- Alcoholic Ward Patient
- (uncredited)
Willis Bouchey
- Official at D.C. Meeting
- (uncredited)
Richard Boyer
- Trooper #1
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is the kind of stuff I grew up on as a kid, watching science fiction and horror movies on TV which had been originally released in the 1940s and 50s. The 1950s was a golden age of science fiction movies, and THEM! was one of the very best. Good casting, dialog, and storyline, and commendable special effects for the time. Although the "atomic-radiation-causing-terrible-mutations" was a standard device in 50s sci fi (THE DEADLY MANTIS, IT CAME FROM BENEATH THE SEA, and others), it was a workable one, and given that the ants were from the same area of desert where the first atomic blast occurred, it had just enough plausibility. I also like the little touches of humor and banter between characters. There was even a little bit of cheesecake when the young Dr. Medford (Joan Weldon) gets her skirt caught when descended from the plane, revealing a pair of shapely legs. This is one I keep going back to on rainy Saturday afternoons! A gem of its kind.
The marauding ants in "Naked Jungle," advancing across a desert, are matched by the monsters in "Them!" coming out through mists of the white sands of New Mexico after an atomic blast has increased them to giants
Slowly people start to go missing and the news filters though to the nearest towns that the arid plateau can present a real threat as strange creepy whistles are coming out from that deep desert
Rather than an atomic movie, the film is about the struggle between humans and species revolt which invade their cities and show their remarkable energy, tenacity and vulnerability
Just as the Gill Man can only be driven back when he has isolated far from his natural element, the monster ants are all powerful in their own territory and none too easy to destroy outside it
"Them!" is well acted, frightening, and engaging from start to finish The cast is pretty damn good, especially James Whitmore as the pretty intelligent cop who found a five year old girl, aimlessly walking through the terrain of the desert miles from her family's wrecked travel trailerunresponsive by some catastrophe...
"Them!" is a well-made monster movie, an instant classic nominated for an Oscar for its effects
Slowly people start to go missing and the news filters though to the nearest towns that the arid plateau can present a real threat as strange creepy whistles are coming out from that deep desert
Rather than an atomic movie, the film is about the struggle between humans and species revolt which invade their cities and show their remarkable energy, tenacity and vulnerability
Just as the Gill Man can only be driven back when he has isolated far from his natural element, the monster ants are all powerful in their own territory and none too easy to destroy outside it
"Them!" is well acted, frightening, and engaging from start to finish The cast is pretty damn good, especially James Whitmore as the pretty intelligent cop who found a five year old girl, aimlessly walking through the terrain of the desert miles from her family's wrecked travel trailerunresponsive by some catastrophe...
"Them!" is a well-made monster movie, an instant classic nominated for an Oscar for its effects
Weird deaths are occurring in the New Mexico desert, it is revealed to be the work of giant mutated ants born out of the "A Bomb" tests that took place there. Trouble escalates to the big city of Los Angeles when one of the giant queen ants escapes to L.A. and starts laying eggs that could lead to the end of mankind as we know it.
This is a cautionary tale about scientific tampering fused with a Cold War theme of destroying a threat to the country. Boasting some wonderful scenes such as the first desert encounter (cloaked in a sandstorm) and the final underground battle, Them! is a truly enjoyable viewing experience. It oozes the right amount of paranoia that became ever more prominent as the nuclear age began grow. The puppetry and special effects on show is of a very high standard for the time (well done Academy Award Nominee Ralph Ayres), and the direction from Gordon Douglas is one of the better efforts in the genre.
The tight story vanquishes any gripes about the plausibility factor, while the acting is, perhaps given the type of genre piece it is, of a surprisingly good standard. With James Whitmore, Edmund Gwenn, and Joan Weldon giving it a bit of oopmh. It went on to become Warner Brothers highest grossing film in 1954, and it's really not hard to see why. Because this firmly stands up as one of the better films of what is sadly a much maligned genre. 8/10
This is a cautionary tale about scientific tampering fused with a Cold War theme of destroying a threat to the country. Boasting some wonderful scenes such as the first desert encounter (cloaked in a sandstorm) and the final underground battle, Them! is a truly enjoyable viewing experience. It oozes the right amount of paranoia that became ever more prominent as the nuclear age began grow. The puppetry and special effects on show is of a very high standard for the time (well done Academy Award Nominee Ralph Ayres), and the direction from Gordon Douglas is one of the better efforts in the genre.
The tight story vanquishes any gripes about the plausibility factor, while the acting is, perhaps given the type of genre piece it is, of a surprisingly good standard. With James Whitmore, Edmund Gwenn, and Joan Weldon giving it a bit of oopmh. It went on to become Warner Brothers highest grossing film in 1954, and it's really not hard to see why. Because this firmly stands up as one of the better films of what is sadly a much maligned genre. 8/10
Boy, if this doesn't creep you out, then you just don't live in the South or Southwest, where you are constantly battling the monsters in this film.
The special effects were superb considering the limitations in 1954.
James Whitmore (Oscar nominations for Give 'em Hell, Harry! and Battleground) and James Arness, who played Marshal Matt Dillon in over 600 episodes of "Gunsmoke" in my formative years, were compelling as they chased the monsters.
They were ably assisted by Edmund Gwenn, who won ans Oscar for playing Kris Kringle in Miracle on 34th Street, and has a nomination for Mister 880. He won Golden Globes for both roles. He really was great here as "The Professor." Great Southwest locations and chilling excitement for a Sci Fi classic.
The special effects were superb considering the limitations in 1954.
James Whitmore (Oscar nominations for Give 'em Hell, Harry! and Battleground) and James Arness, who played Marshal Matt Dillon in over 600 episodes of "Gunsmoke" in my formative years, were compelling as they chased the monsters.
They were ably assisted by Edmund Gwenn, who won ans Oscar for playing Kris Kringle in Miracle on 34th Street, and has a nomination for Mister 880. He won Golden Globes for both roles. He really was great here as "The Professor." Great Southwest locations and chilling excitement for a Sci Fi classic.
No science-fiction library is complete without this 1954 classic, probably the best of the mutant creature craze. Sure, the special effects have long been eclipsed by digital, but the suspense holds up as LA mobilizes to defeat the giant killer ants in a battle of the sewers. The opening scenes are among the best of any era. I don't know how director Douglas got little Sandy Descher to emulate wide-eyed speechless shock, but from that moment on the tension rarely lets up. Then too, her single word eruption in the van may be the single scariest moment and a genuine inspiration on somebody's part. I guess it takes a big man to defeat big ants and thank goodness James Arness has switched to our side since menacing the North Pole in The Thing (1951). He, Whitmore, and Gwenn prove to be great pest exterminators though their methods are a little unorthodox, while poor pretty Joan Weldon sort of tags along after the guys in typical 50's style. Note the many nice touches from both the producer and director-- the well-stocked press conference, the army units deploying in the background, the humorous aside from the ugly guy in the hospital. These are the kind of additions that turn a good movie into a memorable one. It's certainly one I've remembered fondly since its enthusiastic 1954 reception, and so will you if you haven't seen it.
Storyline
Did you know
- TriviaThe flamethrowers used in the movie were standard World War II weapons and were loaned by the U.S. Army. The actors handling the weapons were World War II combat veterans, who had used them in battle.
- GoofsSergeant Peterson and Bob Graham are seen throwing cyanide gas bombs into the ant nest without wearing gas masks, only wearing gear to protect against the heat. Cyanide gas is so deadly to humans that this simply would not have happened that way.
- Quotes
Dr. Harold Medford: We may be witnesses to a Biblical prophecy come true - 'And there shall be destruction and darkness come upon creation, and the beasts shall reign over the earth.'
- Crazy creditsAlthough the movie was shot in black and white, the film title at the opening credits appears blood red and blue. This was accomplished by Warner's Eastman Color process.
- Alternate versionsA 2-3 minute segment following the projection sequence was excised from the film in the mid-1950s following a lawsuit from a real-life scientist whose name was used in the story for a fictional explanation of atomic energy effects on ants. The scene was removed from the negative and has not been restored though it has turned up in some collector's prints.
- ConnectionsEdited into Encounters at the End of the World (2007)
Details
- Release date
- Country of origin
- Language
- Also known as
- El mundo en peligro
- Filming locations
- Blaney Ranch - 160th & Q Streets, Palmdale, California, USA(giant ants desert nest)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 34 minutes
- Color
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