Them! (1954)

The earliest atomic tests in New Mexico cause common ants to mutate into giant man-eating monsters that threaten civilization.

Director:

Gordon Douglas

Writers:

Ted Sherdeman (screenplay), Russell S. Hughes (adaptation) (as Russell Hughes)

Stars:

James Whitmore, Edmund Gwenn, Joan Weldon

Nominated for 1 Oscar. Another 1 win & 2 nominations.

Cast

Complete credited cast:
James Whitmore	...	Police Sgt. Ben Peterson
Edmund Gwenn	...	Dr. Harold Medford
Joan Weldon	...	Dr. Patricia Medford
James Arness	...	Robert Graham
Onslow Stevens	...	Brig. Gen. Robert O'Brien
Sean McClory	...	Maj. Kibbee
Chris Drake	...	Trooper Ed Blackburn
Sandy Descher	...	The Ellinson Girl
Mary Alan Hokanson	...	Mrs. Lodge (as Mary Ann Hokanson)
Don Shelton	...	Trooper Capt. Fred Edwards
Fess Parker	...	Alan Crotty
Olin Howland	...	Jensen (as Olin Howlin)

Storyline

In the New Mexico desert, Police Sgt. Ben Peterson and his partner find a child wandering in the desert and sooner they discover that giant ants are attacking the locals. FBI agent Robert Graham teams up with Ben and with the support of Dr. Harold Medford and his daughter Dr. Patricia 'Pat' Medford, they destroy the colony of ants in the middle of the desert. Dr. Harold Medford explains that the atomic testing in 1945 developed the dangerous mutant ants. But they also discover that two queen ants have flown away to Los Angeles and they are starting a huge colony in the underground of the city. When a mother reports that her two children are missing, the team and the army have a lead to follow. Will they arrive in time to save the children and destroy the colony?

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Plot Keywords:

new mexico | mutation | giant ant | 1950s | creature feature | 

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Taglines:

This city is under martial law until we annihilate THEM!

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Genres:

Horror | Sci-Fi

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Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

19 June 1954 (USA)

Also Known As:

Them

Filming Locations:

6th Street Viaduct, Los Angeles, California, USA

Company Credits

Production Co:

Warner Bros.

Technical Specs

Runtime:

94 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.75 : 1

Did You Know?

Trivia

No giant ant is seen until twenty-eight minutes in, more than one quarter of the way through the movie.

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Goofs

In the situation room, as Bob Graham and Patricia Medford are leaving to go to Brownsville, Ben Peterson is seen wearing his wedding ring, visible in every scene up to this point. Yet the left hand, allegedly his, seen sticking the pin on the map does not have a wedding ring.

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Quotes

Dr. Patricia 'Pat' Medford: Now destroy everything in here. Burn it.
Robert Graham: What?
Dr. Patricia 'Pat' Medford: I said "Burn it!" Burn EVERYTHING!

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Alternate Versions

A 2-3 minute segment following the projection sequence was excised from the film in the mid-50s following a lawsuit from a real-life scientist whose name was used in the story for a fictional explanation of atomic energy effects on ants. The scene was removed from the negative and has not been restored though it has turned up in some collector's prints.

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Connections

Referenced in Robot Chicken: Kramer Vs. Showgirls (2011)

User Reviews

They don't get much better than this

This is the granddaddy of 'em all, the film that pretty much started giant bug genre of sci-fi films and spawned countless imitators, none of which are remotely as good as this one. This movie has pretty much everything going for it: a literate, atmospheric, extremely well-written script for what is essentially a B picture (although Warner Brothers put a substantial amount of cash into it)l outstanding acting jobs by everyone from the leads on down to the extras; razor-sharp direction by an old pro, Gordon Douglas (by far his best film; nothing he did before or since was anywhere near as good); a combination of visual and sound effects guaranteed to creep you out (the scene where James Whitmore's partner goes outside the wrecked store to investigate the strange noises he hears is among the scariest things you'll ever see). Also, the characters are believable; they act like you know people would act in the same situation. Edmund Gwenn isn't the typical befuddled scientist you see in these films; he may be a tad distracted at times, but he gets down to business when the situation calls for it. Joan Weldon, his daughter, isn't just just a pretty face for the leads to fight over; she's every bit as much a scientist as her father, and she lets that fact be known right away. There's another level of this film that works well, too; comedy. Not the slapstick kind, or the stereotypical dumb cop or cook or crew member (usually from Brooklyn) that pops up in these films, but there are several lighter moments in the film that really work. Everyone remembers the wonderful Olin Howlin, the guy in the drunk tank who sings "Make me a sergeant in charge of the booze!", but there are several other segements that are equally as lighthearted; the great Dub Taylor playing a railroad detective suspected of stealing a load of sugar from a railroad car that the ants have actually done ("You think I stole that sugar? When was the last time you busted a ring of sugar thieves? You ever heard of a market for hot sugar?") and another scene in the drunk ward where a patient looks at the army major accompanying Arness and Whitmore and says, "I wanna get out of here, general, but I ain't gonna join the army to do it!" The special effects are first-rate but do not overwhelm the story, as is all too common in many of today's action films (that is, when there actually IS a story). There are some truly terrifying scenes (the one where the ants, who have hidden in the hold of a cargo ship at sea, attack and slaughter the crew), and I liked the fact that the ants aren't invulnerable--they CAN be killed (it just takes a lot more effort)--and also that they actually act like ants. All they're doing is just what real ants would actually do--which makes things even scarier, given that we know how single-minded and vicious real ants can actually be.

All in all, this is a trailblazing film that attempts to work on several levels--as a sci-fi film, as a mystery, as an action film--and succeeds admirably in every one.