Norman Maine, a movie star whose career is on the wane, meets showgirl Esther Blodgett when he drunkenly stumbles into her act one night. A friendship develops, then blossoms into romance before tensions increase as Esther's career takes off while Norman's continues to plummet.Written by
Col Needham <email@example.com>
The New York premiere was so big it had to be held at two theatres, the Victoria and the Capitol. See more »
The Shrine Auditorium benefit which opens the film takes place in Los Angeles, but a very prominently displayed TV camera displays the call letters WABD which at that time was the DuMont Television Network's New York City station, broadcasting on Channel 5, and would not have a camera crew on hand in Los Angeles to record such an event. See more »
[Norman has returned to find her in a nightclub. She walks over to him with a small laugh]
Hello, Mr. Maine. You turn up in the strangest places.
Don't I now?
[stops laughing, suddenly shocked]
And you're cold sober.
Well, you'd better make the most of it!
See more »
In 1983 the film was restored to 176 minutes by Ron Haver. However, although all of the original soundtrack was available, some visual footage couldn't be found: the restored version resorts to a montage of stills, dialogue and music in place of the missing scenes. Director George Cukor died the day before the opening of the restored version. See more »
Much has been written about this movie (to extremely great length) in other reviews, so I'll try to keep this fairly brief and concise.
First, the restored version runs at 176 minutes. The movie originally ran at 181 minutes, but was cut to 154 minutes when theater owners complained that they were losing money due to the excessive length. The cut destroyed the integrity of the movie - director Cukor never saw the movie again. However, the restored version contains stills to replace some of the cut footage, and gives a better sense of the film's power and scope.
Second, all four major studio versions of the story (including "What Price Hollywood?") have their own merits and differ greatly from one another. If you like the story, see them all and compare for yourself. It's quite fun to compare!
Third, definitely see this version for Judy. Sure, Judy's "The Man That Got Away" may be the greatest musical moment on cinema, but it's her dramatic performance that will keep your attention over almost three hours. James Mason is on target, and the supporting cast is fine, but Judy just dominates the screen. It's an opportunity to see a true genius in action at the absolute height of her powers. For more dramatic Judy, see her in "The Clock".
George Cukor was acclaimed as the great director of actresses, and he raises Judy to the height she deserves. I love Judy. This is a 10 out of 10.
67 of 84 people found this review helpful.
Was this review helpful to you?
| Report this