Norman Maine, a movie star whose career is on the wane, meets showgirl Esther Blodgett when he drunkenly stumbles into her act one night. A friendship develops, then blossoms into romance before tensions increase as Esther's career takes off while Norman's continues to plummet.Written by
Col Needham <firstname.lastname@example.org>
Cary Grant at first accepted, then turned down the role of Norman Maine, citing semi-retirement as his reason. He reportedly refused to work with Judy Garland because he was semi-retired. After Grant's death, his widow revealed that Garland's drug addiction made the actor have second thoughts and drop out of the film. See more »
The Shrine Auditorium benefit which opens the film takes place in Los Angeles, but a very prominently displayed TV camera displays the call letters WABD which at that time was the DuMont Television Network's New York City station, broadcasting on Channel 5, and would not have a camera crew on hand in Los Angeles to record such an event. See more »
[Norman has finished looking through her scrapbook]
You know as much about me as I do myself. But... you see how long it's taken me to get this far. Now, all I need is just a little luck.
What kind of luck?
Oh, the kind of luck that every girl singer with a band dreams of - one night a big talent scout from a big record company might come in and he'll let me make a record.
Yes, and then?
Well, the record will become number one on the Hit Parade, it'll be played on the jukeboxes all over the ...
[...] See more »
The 1954 musicalized version of A Star Is Born is a great film. Judy Garland and James Mason (both Oscar nominated) turn in terrific performance as Esther and Norman. Like its 1937 predecessor (which starred Janet Gaynor and Fredric Marchboth Oscar nominated), the 1954 version follows the ups and down of two people set against the vicious world of Hollywood. The newer version sticks to the basic story but adds some great numbers for Garland, including "The Man That Got Away" and "I Was Born in a Trunk." In a major comeback, Garland had not worked in films since Summer Stock (1950), and her performance here is the best of her career. That she lost the Oscar to Grace Kelly for The Country Girl is one of Hollywood's great inequities. Mason lost to Marlon Brando for On the Waterfront. Garland sings superbly and is a great comic and dramatic actress. Her Esther is more vulnerable than Gaynor's just as Mason's Norman is more pathetic than March's. I love both versions. Charles Bickford and Jack Carson play the other major parts, played by Adolphe Menjou and Lionel Stander in 1937. Two major supporting roles from the 1937 version were cut from the 1954 version: Esther's first Hollywood friend (Andy Devine) and her intrepid grandmother (the great May Robson). But Garland's musical numbers make up for their absence. Oddly, despite the great hullabaloo surrounding A Star Is Born, it was not nominated for best picture, and George Cukor was bypassed in the directing category. One of the best musicals ever made.
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