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A Star Is Born (1954)

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A film star helps a young singer and actress find fame, even as age and alcoholism send his own career on a downward spiral.

Director:

George Cukor

Writers:

Moss Hart (screen play by), Dorothy Parker (based on the 1937 screen play by) | 4 more credits »
Reviews
Popularity
405 ( 141)
Nominated for 6 Oscars. Another 5 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
Judy Garland ... Vicki Lester
James Mason ... Norman Maine
Jack Carson ... Matt Libby
Charles Bickford ... Oliver Niles
Tommy Noonan ... Danny McGuire (as Tom Noonan)
Lucy Marlow ... Lola Lavery
Amanda Blake ... Susan Ettinger
Irving Bacon ... Graves
Hazel Shermet Hazel Shermet ... Libby's Secretary
James Brown ... Glenn Williams
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Storyline

Norman Maine, a movie star whose career is on the wane, meets showgirl Esther Blodgett when he drunkenly stumbles into her act one night. A friendship develops, then blossoms into romance before tensions increase as Esther's career takes off while Norman's continues to plummet. Written by Col Needham <col@imdb.com>

Plot Summary | Add Synopsis

Taglines:

The most anticipated motion picture of our time is now ready for your acclaim. See more »

Genres:

Drama | Musical | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

16 October 1954 (USA) See more »

Also Known As:

A Star Is Born See more »

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Box Office

Budget:

$5,019,770 (estimated)

Gross USA:

$14,933,000
See more on IMDbPro »

Company Credits

Production Co:

Transcona Enterprises See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(premiere) | (restored) | (DVD) | (cut)

Sound Mix:

4-Track Stereo (RCA Sound System) (magnetic prints)| Mono (optical prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.55 : 1
See full technical specs »
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Did You Know?

Trivia

George Cukor offered Marlon Brando the role of Norman Maine on the set of Julius Caesar (1953). "Why would you come to me?" asked Brando. "I'm in the prime of my life... If you're looking around for some actor to play an alcoholic has-been, he's sitting right over there"- pointing at his costar James Mason, who got the part. See more »

Goofs

After Vicki comes home and she performs in her house for Norman, the doorbell rings and he goes to the door to accept a package for Vicki. His hair is all mussed up when he goes to the door, but after he closes it and the camera goes back to him, there isn't a hair out of place. Then he walks over to where Vicki is and his hair is all mussed up again. See more »

Quotes

Vicki Lester: Hello, everybody. This is Mrs. Norman Maine.
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Crazy Credits

As Matt Libby (Jack Carson) dictates the cancellation/resignation of Norman Maine's (James Mason) contract, a theater marquee featuring "Black Legion" starring Norman Maine, outside his window is being taken down. "Black Legion" was a 1937 movie starring Humphrey Bogart, one of the actors that turned down the role of Norman Maine for this picture. See more »

Alternate Versions

In 1983 the film was restored to 176 minutes by Ron Haver. However, although all of the original soundtrack was available, some visual footage couldn't be found: the restored version resorts to a montage of stills, dialogue and music in place of the missing scenes. Director George Cukor died the day before the opening of the restored version. See more »

Connections

Referenced in Filthy Rich: A Beck Goes Back (1983) See more »

Soundtracks

Trinidad Coconut Oil Shampoo
(uncredited)
Music by Harold Arlen
Lyrics by Ira Gershwin
Commercial jingle performed by Judy Garland
See more »

Frequently Asked Questions

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User Reviews

 
Make sure to watch the Widescreen Version!
13 June 2001 | by heatmiseSee all my reviews

In a career of classic performances this may be Judy Garland's best role and one that certainly uses her many talents to the hilt. James Mason gives an Oscar caliber performance as well and I believe in almost any other year that he wasn't up against Brando's "On the Waterfront" performance he would and should have won.

This George Cukor film features gorgeous color and beautiful cinematography, but does suffer from choppy editing that may be the result of restored footage. The project to restore over an hour of missing footage scrapped by the producers after the original length was in excess of four and a half hours may have been done with the best intentions, but is still incomplete and leaves the film disjointed and obviously lacking. I certainly wish the original footage was never scrapped, but this spotty attempt at restoration makes you feel like your watching more of a project than a classic film. Sometimes less is more and definitely in this case.

Whatever you do make sure you see the widescreen version of this film that was originally shot in Cinemascope or you will only see about a third of the actual picture and I assure you, you won't want to miss any of it.


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