An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
Adam, the eldest of seven brothers, goes to town to get a wife. He convinces Milly to marry him that same day. They return to his backwoods home. Only then does she discover he has six brothers - all living in his cabin. Milly sets out to reform the uncouth siblings, who are anxious to get wives of their own. Then, after reading about the Roman capture of the Sabine women, Adam develops an inspired solution to his brothers' loneliness. Written by
Melissa Portell <email@example.com>
Played at the Radio City Music Hall in New York in a slot that was originally intended for Brigadoon (1954). See more »
During the barn dance, there is a part where Frank, Ephraim and Caleb are dancing with the girls, Frank is dancing with Alice and in the shot immediately after, Alice is standing behind Gideon at the side of the dance floor. See more »
Well, I wanted to show a musical to my critical viewing class but knew it would be difficult since the boys were the most unlikely candidates for liking musicals that I'd ever seen. I chose this because of the outstanding dance sequence and because the DVD had such an excellent "making of" which I showed first. It was wonderful to realize at the end of things that they totally got into it, even confessing that they were predisposed against it when I made my intentions known. They found the action funny, the dancing riveting and found lots to comment on in the growth of the relationship between Adam and Millie. One of my reluctant students even confessed to me that he'd found himself singing "Bless Your Beautiful Hide" in the shower one morning! This is a wonderful film for teens today and has the ability to draw them in. While they are totally aware of the sound stage sets and how "stagey" it looks, they also realize why it was filmed that way and manage to get past it. I showed this film only weeks after Howard Keel had died and was so glad that he had done the documentary, which is outstanding because all of the original cast were available to comment. It was charming to see them and how well they had aged.
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