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Seven Brides for Seven Brothers (1954)

Approved | | Comedy, Drama, Musical | 6 August 1954 (USA)
In 1850 Oregon, when a backwoodsman brings a wife home to his farm, his six brothers decide that they want to get married too.

Director:

Stanley Donen

Writers:

Albert Hackett (screenplay), Frances Goodrich (screenplay) | 2 more credits »
Won 1 Oscar. Another 5 wins & 7 nominations. See more awards »

Photos

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Cast

Cast overview, first billed only:
Howard Keel ... Adam Pontipee
Jeff Richards ... Benjamin Pontipee
Russ Tamblyn ... Gideon Pontipee
Tommy Rall ... Frank (Frankincense) Pontipee
Marc Platt ... Daniel Pontipee
Matt Mattox Matt Mattox ... Caleb Pontipee
Jacques d'Amboise Jacques d'Amboise ... Ephraim Pontipee
Jane Powell ... Milly Pontipee
Julie Newmar ... Dorcas Gaylen (as Julie Newmeyer)
Nancy Kilgas Nancy Kilgas ... Alice Elcott
Betty Carr ... Sarah Kine
Virginia Gibson ... Liza
Ruta Lee ... Ruth Jepson (as Ruta Kilmonis)
Norma Doggett Norma Doggett ... Martha
Ian Wolfe ... Rev. Elcott
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Storyline

Adam, the eldest of seven brothers, goes to town to get a wife. He convinces Milly to marry him that same day. They return to his backwoods home. Only then does she discover he has six brothers - all living in his cabin. Milly sets out to reform the uncouth siblings, who are anxious to get wives of their own. Then, after reading about the Roman capture of the Sabine women, Adam develops an inspired solution to his brothers' loneliness. Written by Melissa Portell <mportell@s-cwis.unomaha.edu>

Plot Summary | Plot Synopsis

Taglines:

SINGIN'! DANCIN'! ROMANCIN'! (original print ad - all caps) See more »


Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

6 August 1954 (USA) See more »

Also Known As:

Seven Brides for Seven Brothers See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

4-Track Stereo (Western Electric Sound System) (magnetic prints)| 70 mm 6-Track (Australia) (1968 re-release)| Mono (optical prints)

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

Michael Kidd initially turned down the project. He had just come off a show on Broadway and wanted a rest. He changed his mind after hearing the score. See more »

Goofs

When Adam is showing Milly the house, he opens the front door twice. See more »

Quotes

Dorcas: [upon seeing the Pontipee brothers arrive at the barn raising] Who are they? I don't recall ever seeing them before.
Liza: They're strangers to me.
Ruth: Seven of them.
Martha: And all as tall as church steeples.
Alice: It's Milly! Milly!
See more »

Crazy Credits

In the end credits, Jacques d'Amboise (Ephraim) is listed as appearing courtesy of the New York City Ballet. See more »

Alternate Versions

Filmed in two different versions: one in CinemaScope (2:55) and one in a "flat" widescreen (1.77). The CinemaScope version is the one generally screened, but both are available. The main difference between the two versions is a slight difference in angles, some minor differences in sound clarity and finally the "flat" widescreen version features more camera movement in order to capture all the action. Warner Brothers has released a 2-DVD set of this film containing both of these versions. See more »

Connections

Referenced in Hollywood's Top Ten: Musicals (2010) See more »

Soundtracks

Sobbin' Women
(uncredited)
Music by Gene de Paul
Lyrics by Johnny Mercer
Sung by Howard Keel and Brothers
See more »

Frequently Asked Questions

See more »

User Reviews

Spectacular dancing and great music..Keel and Powell never did anything better!
13 April 2001 | by DoylenfSee all my reviews

A permanent place in the history of film musicals is obviously the fate of 'Seven Brides for Seven Brothers' the minute Howard Keel begins to sing 'Bless Your Beautiful Hide'. His robust romantic presence and voice are perfectly suited to blend with Jane Powell's sweet soprano--the Nelson and Jeanette of the '50s era. Jane is as perky as can be as the girl who impulsively marries him only to find that she's expected to keep house for him and his seven handsome brothers. (Echos of 'Snow White and the Seven Dwarfs' here and a touch of political incorrectness). But all that can be forgiven, for what follows is the most outrageously entertaining musical treat from the MGM factory--singin' and dancin' like you've never seen before! The exuberant acrobatic dancing of the brothers is a special highlight--particularly during the barnraising sequence. And their wistful rendering of the carefully staged 'Lonesome Polecat' is another high point. Powell and Keel get to warble some enchanting tunes and both are totally charming and professional in their roles. Keel probably never had a better role--except perhaps 'Showboat' or 'Annie Get Your Gun', handsome, macho and utterly believable. By all means reward yourself with this gem--either in regular format or widescreen, it's certainly one of the greatest MGM musicals of the '50s. Perhaps, as others have noted, the only drawbacks are some of the obviously painted mountain backgrounds--but this never destroys the overall charm of the film. The songs are splendid and the dances are as zestful as any you're ever likely to see.


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