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Rouge et noir (1954)

Le rouge et le noir (original title)
It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post- Napoleonic era, his intensely romantic liaisons ... See full summary »

Director:

Claude Autant-Lara

Writers:

Stendhal (novel), Claude Autant-Lara | 2 more credits »
Reviews
3 wins. See more awards »

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Cast

Credited cast:
Gérard Philipe ... Julien Sorel
Danielle Darrieux ... Mme de Rénal
Antonella Lualdi ... Mathilde de La Mole
Jean Mercure Jean Mercure ... Marquis de La Mole
Jean Martinelli ... M. de Rénal
Antoine Balpêtré Antoine Balpêtré ... L'abbé Pirard
Anna Maria Sandri Anna Maria Sandri ... Elisa (as Anna-Maria Sandri)
André Brunot André Brunot ... L'abbé Chélan
Mirko Ellis Mirko Ellis ... Norbert de La Mole
Suzanne Nivette Suzanne Nivette ... Marquise de la Mole
Pierre Jourdan Pierre Jourdan ... Comte Altamira
Jacques Varennes Jacques Varennes ... Le président du tribunal
Rest of cast listed alphabetically:
Jean-Marie Amato Jean-Marie Amato ... Le bottier
Jacques Beauvais Jacques Beauvais
Robert Berri Robert Berri ... Palefrenier de Croisenoix
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Storyline

It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post- Napoleonic era, his intensely romantic liaisons propel him forward at a pace he cannot control. Written by <incite@netwiz.net>

Plot Summary | Add Synopsis

Taglines:

The Novel That Outraged a Country! See more »

Genres:

Drama | Romance

Certificate:

See all certifications »
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Details

Country:

France | Italy

Language:

French

Release Date:

8 April 1958 (USA) See more »

Also Known As:

Rouge et noir See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (longer) | (New York opening)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

After Marlon Brando had finished his stage commitment to "A Streetcar Named Desire," Claude Autant-Lara wanted the young actor, who had not yet made a movie, for "The Red and the Black." He paid for Brando's transportation to Paris to meet with him. Although Brando loved the French capitol, plans for the movie were delayed, and the film was not made until 1954 with Gérard Philipe. See more »

Connections

Version of Krasnoe i chernoe (1976) See more »

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User Reviews

The Army and the Church
6 February 2012 | by dbdumonteilSee all my reviews

Claude Autant-Lara had intended a three and a half hours movie,but the producers were not prepared to accept it;two shows a day was not profitable for an expensive movie filmed in color ,which was rare in France of the fifties;the precedent user was probably right when he wrote about the producers'cuts .SO the movie was divided into two parts ; the audience had to come twice (and to pay twice of course!) Autant-Lara was an auteur:his then anti-clericalism ,anti-militarism and he held in contempt the bourgeoisie (no Chabrol did not invent it,nor the N.V),hypocrisy and so called sacred values ."Douce" and "LE Diable Au Corps,among others,had already been released .The story like,romantic ,human side of the novel is almost absent .Madame De Rénal (who could remind the viewers of the female role of "Le Diable Au Corps" and mainly Mathilde De La Môle are relegated to supporting parts:and however they are played by Danielle Darrieux and Italian beauty Antonella Lualdi (co-production outcome)!The director and his screenwriters,Bost and Aurenche focused on the social side :Julien,a carpenter's son,dreams of social promotion ,but he does not belong there ,in the world of privileged persons ,protected by the Red (the army) and the Black (religion) .He puts his head in the guillotine because he is an intruder under the very reactionary reign of Charles the Tenth,like the young student of "Diable" or the proletarian couple of "Douce"....and later the conscientious objector in "Tu Ne Tueras Point".


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