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IMDbPro

Rear Window

  • 19541954
  • PGPG
  • 1h 52m
IMDb RATING
8.5/10
495K
YOUR RATING
POPULARITY
1,734
117
Grace Kelly, James Stewart, and Georgine Darcy in Rear Window (1954)
A wheelchair-bound photographer spies on his neighbors from his Greenwich Village courtyard apartment window, and becomes convinced one of them has committed murder, despite the skepticism of his fashion-model girlfriend.
Play trailer2:39
2 Videos
99+ Photos
MysteryThriller
A wheelchair-bound photographer spies on his neighbors from his Greenwich Village courtyard apartment window, and becomes convinced one of them has committed murder, despite the skepticism o... Read allA wheelchair-bound photographer spies on his neighbors from his Greenwich Village courtyard apartment window, and becomes convinced one of them has committed murder, despite the skepticism of his fashion-model girlfriend.A wheelchair-bound photographer spies on his neighbors from his Greenwich Village courtyard apartment window, and becomes convinced one of them has committed murder, despite the skepticism of his fashion-model girlfriend.
IMDb RATING
8.5/10
495K
YOUR RATING
POPULARITY
1,734
117
    • Alfred Hitchcock
    • John Michael Hayes(screenplay)
    • Cornell Woolrich(short story)
  • Stars
    • James Stewart
    • Grace Kelly
    • Wendell Corey
    • Alfred Hitchcock
    • John Michael Hayes(screenplay)
    • Cornell Woolrich(short story)
  • Stars
    • James Stewart
    • Grace Kelly
    • Wendell Corey
  • See production, box office & company info
    • 985User reviews
    • 187Critic reviews
    • 100Metascore
  • See more at IMDbPro
  • Top rated movie #49
    • Nominated for 4 Oscars

    Videos2

    Trailer
    Trailer 2:39
    Watch Trailer
    A Guide to the Films of Alfred Hitchcock
    Clip 2:27
    Watch A Guide to the Films of Alfred Hitchcock

    Photos304

    Grace Kelly and James Stewart in Rear Window (1954)
    Grace Kelly and James Stewart in Rear Window (1954)
    James Stewart in Rear Window (1954)
    Grace Kelly and James Stewart in Rear Window (1954)
    James Stewart and Raymond Burr in Rear Window (1954)
    Raymond Burr in Rear Window (1954)
    Grace Kelly in Rear Window (1954)
    Raymond Burr in Rear Window (1954)
    Grace Kelly and James Stewart in Rear Window (1954)
    James Stewart in Rear Window (1954)
    Grace Kelly and Thelma Ritter in Rear Window (1954)
    James Stewart in Rear Window (1954)

    Top cast

    Edit
    James Stewart
    James Stewart
    • L.B. Jefferies
    Grace Kelly
    Grace Kelly
    • Lisa Fremont
    Wendell Corey
    Wendell Corey
    • Tom Doyle
    Thelma Ritter
    Thelma Ritter
    • Stella
    Raymond Burr
    Raymond Burr
    • Lars Thorwald
    Judith Evelyn
    Judith Evelyn
    • Miss Lonelyhearts
    Ross Bagdasarian
    Ross Bagdasarian
    • Songwriter
    Georgine Darcy
    Georgine Darcy
    • Miss Torso
    Sara Berner
    Sara Berner
    • Woman on Fire Escape
    Frank Cady
    Frank Cady
    • Man on Fire Escape
    Jesslyn Fax
    Jesslyn Fax
    • Miss Hearing Aid
    Rand Harper
    • Newlywed
    Irene Winston
    Irene Winston
    • Emma Thorwald
    Havis Davenport
    • Newlywed
    Jerry Antes
    Jerry Antes
    • Dancer with Miss Torso
    • (uncredited)
    Barbara Bailey
    Barbara Bailey
    • Choreographer with Miss Torso
    • (uncredited)
    Benny Bartlett
    Benny Bartlett
    • Man with Miss Torso
    • (uncredited)
    Nick Borgani
    • Minor Role
    • (uncredited)
      • Alfred Hitchcock
      • John Michael Hayes(screenplay)
      • Cornell Woolrich(short story)
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The film negative was damaged considerably as a result of color dye fading as early as the 1960s. Nearly all of the yellow image dyes had faded. Despite fears that the film had been irrevocably damaged, preservation experts were able to restore the film nearly to its original coloration.
    • Goofs
      After Lisa sees Thorwald tie up the trunk and the camera dollies forward to a close up, there are creaks from the floorboards and footsteps heard from the camera crew.
    • Quotes

      Stella: How much do we need to bail Lisa from jail?

      L.B. Jefferies: Well, this is first offense burglary, that's about $250. I have $127.

      Stella: Lisa's handbag. Uh... 50 cents. I got $20 or so in my purse.

      L.B. Jefferies: And what about the rest?

      Stella: When those cops at the station see Lisa, they'll even contribute.

    • Crazy credits
      The film is bookended with the opening and closing of window blinds across Jeff's rear window.

      The opening titles appear on the former, and the Paramount logo appears on the latter.
    • Alternate versions
      The film has been fully restored from original negatives in 1998 and a new negative has been created that resembles the original color scheme of the film. However, the first kissing scene had to be restored digitally because the source elements were in bad condition.
    • Connections
      Edited into Alfred Hitchcock: The Art of Making Movies (1990)
    • Soundtracks
      Excerpt from 'Fancy Free'
      (1944) (uncredited)

      Ballet Music by Leonard Bernstein

    User reviews985

    Review
    Review
    Featured review
    Excellent. Sharp, clever, funny, inventive, with great values all round.
    Ah it's a movie that's in IMDB's Top 20, and it has good reason to be. For starter's let's look at the simple premise - James Stewart is L. B. Jeffries, a photographer who is currently recovering from an injury on assignment. With his broken leg he's stuck in his apartment, with nothing better to do than spy on his neighbours and be visited by his girlfriend, Lisa Carol Fremont (Grace Kelly), his officer friend Wendell, and his nurse, Stella. Jeffries observes the coming and goings of the various apartments he can observe (from his rear apartment window) and it is one of these - a Raymond Burr - who draws his attention because. could it be that the man has committed some heinous crime? Let's find out.

    One of the beautiful things about the movie is its superb use of location. The whole movie, bar a couple of brief scenes, is set in the apartment. This would seem claustrophobic but Hitchcock never inhibits us like this - he lets us escape through Jeffries binoculars and camera lenses, and his roving camera swoops down to let us see what the characters see (but never, thankfully, anything more than that - this is how you do suspense!). The set design is wonderful - the apartment is just the right size and is nicely laid out. However the real praise is for all the other apartments visible to Jeffries - an actual habitable set with multiple stories where characters can be observed only as they pass by their own windows (yeah, they don't care much for curtains). There's a sense of individuality gone in to each home, despite the fact we can only see barely elements of each. This is helped by a nice, differing range of characters inhabiting each and going about their daily lives - there's a mini soap-opera contained in the movie, all observed at a distance. Excellent stuff.

    Acting? It's great here. There's some nice depth to the characters here, with them feeling like actual real people rather than slick one-dimensional tags. Stewart is very proficient in this type of role - he was born to it - and Kelly proves she is more than just a pretty face, managing to effuse her character with both grace (*groan*) and steel. Even supporting characters like Stella are good (she has a wickedly black sense of thinking that's hilarious). What's so incredible is that the characters we observe from a distance in the other apartments (and with whom we never actually interact with) have as much depth as most main characters in movies nowadays. Excellent script and acting in this movie.

    I've already praised Hitchcock's set location and camera work, so I won't prattle on about him much more. He does a stellar job here and, in my opinion, this is the best piece of work he's done (that I've seen). It's virtually flawless and you're never let down (or bored). Well done. It's a shame he lost out on an Oscar (although he did have tough competition that year with `On the Waterfront').

    `Rear Window' is a great example of how you can successfully have sharp acting, script, and directing and not feel the need for a slew of swear words and gratuitous violence. Regarded as a classic, and deservedly so. 9.1/10
    helpful•106
    38
    • Aidan McGuinness
    • Nov 12, 2002

    FAQ10

    • Why is Jeff whispering when he is on the phone to Tom after Lisa's arrest when he is in his own apartment?
    • Who was the dress designer for Grace Kelly's outfits?
    • What is 'Rear Window' about?

    Details

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    • Release date
      • September 1, 1954 (United States)
      • United States
      • English
    • Also known as
    • Filming locations
      • Stage 18, Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, California, USA
    • Production company
      • Alfred J. Hitchcock Productions
    • See more company credits at IMDbPro

    Box office

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    See detailed box office info on IMDbPro

    Technical specs

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    • 1 hour 52 minutes
      • Color
      • (original ratio)

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