Professional photographer L.B. "Jeff" Jefferies breaks his leg while getting an action shot at an auto race. Confined to his New York apartment, he spends his time looking out of the rear window observing the neighbors. He begins to suspect that a man across the courtyard may have murdered his wife. Jeff enlists the help of his high society fashion-consultant girlfriend Lisa Freemont and his visiting nurse Stella to investigate.Written by
Col Needham <col@imdb.com>
The location and angle of the shadows of the "sun" are in the same place in the morning and at night. See more »
Quotes
[first lines]
Voice on radio:
Men, are you over 40? When you wake up in the morning, do you feel tired and rundown? Do you have that listless feeling...
[the camera pans around the courtyard; cut to later in the day]
Jeff:
[answering phone]
Jefferies.
Jeff's Editor:
Congratulations, Jeff!
Jeff:
For what?
Jeff's Editor:
For getting rid of that cast!
Jeff:
Who said I was getting rid of it?
Jeff's Editor:
This is Wednesday; seven weeks from the day you broke your leg. Yes or no?
Jeff:
Gunnison, how did you ever get to be such a big editor with such a small memory?
[...] See more »
Crazy Credits
"A Paramount Release" logo at the end is styled as a closing curtain. See more »
Alternate Versions
The film has been fully restored from original negatives in 1998 and a new negative has been created that resembles the original color scheme of the film. However, the first kissing scene had to be restored digitally because the source elements were in bad condition. See more »
This is, without fear of contradiction, a masterpiece. Before setting out on the journey, if you are given a synopsis, it's difficult to imagine how the slight story can hold one's attention for nearly two hours. There are in effect multiple plots extending beyond the suspected murder. Each apartment holding it's own narrative and inviting the viewer into the private lives of the block. We care about all the characters in these sub plots, holding both humour and tragedy in their confined spaces. The developing relationship between the two excellent leads is the icing on the cake. Grace Kelly is stunning, and did James Stewart ever make a bad film? Hitchcock in his prime.
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This is, without fear of contradiction, a masterpiece. Before setting out on the journey, if you are given a synopsis, it's difficult to imagine how the slight story can hold one's attention for nearly two hours. There are in effect multiple plots extending beyond the suspected murder. Each apartment holding it's own narrative and inviting the viewer into the private lives of the block. We care about all the characters in these sub plots, holding both humour and tragedy in their confined spaces. The developing relationship between the two excellent leads is the icing on the cake. Grace Kelly is stunning, and did James Stewart ever make a bad film? Hitchcock in his prime.