Rear Window

I must say, no signs of aging. Embedded in its day and yet totally relevant. Perhaps the most entertaining of all of Hitchcock's films. Marriage is the theme and murder is the hook. James Stewart is as perfect as he's ever been. He uses the contradictions of his character to create someone immediately familiar. Thelma Ritter's practicality includes a rant about the destructive effect of intelligence. Grace Kelly enters the scene like a character in a dream. She remains a sort of dream that's why to see her climb the killer's balcony is one of my most cherished film memories. If you haven't seen the film you may think I'm rambling but if you have, you know exactly what I mean, don't you?