A young F.B.I. cadet (Jodie Foster) must receive the help of an incarcerated and manipulative cannibal killer (Sir Anthony Hopkins) to help catch another serial killer (Ted Levine), a madman who skins his victims.
Lawrence A. Bonney
Professional photographer L.B. "Jeff" Jefferies breaks his leg while getting an action shot at an auto race. Confined to his New York apartment, he spends his time looking out of the rear window observing the neighbors. He begins to suspect that a man across the courtyard may have murdered his wife. Jeff enlists the help of his high society fashion-consultant girlfriend Lisa Freemont and his visiting nurse Stella to investigate.Written by
Col Needham <firstname.lastname@example.org>
When Thorwald returns home from one of his trips out in the rain lugging his suitcase, the camera (from Jeff's point of view) pans from a glimpse of Thorwald in the street, across Miss Torso's apartment where she is preparing to go to bed, to the second floor hallway where Thorwald is walking toward his apartment. This observed action takes only a few seconds - an impossibly short time frame for Thorwald to have entered his building through its front door, walked over to the stairwell, climbed the stairs to the second floor and then be seen walking along the second floor hallway. See more »
Voice on radio:
Men, are you over 40? When you wake up in the morning, do you feel tired and rundown? Do you have that listless feeling...
[the camera pans around the courtyard; cut to later in the day]
For getting rid of that cast!
Who said I was getting rid of it?
This is Wednesday; seven weeks from the day you broke your leg. Yes or no?
Gunnison, how did you ever get to be such a big editor with such a small memory?
[...] See more »
The film has been fully restored from original negatives in 1998 and a new negative has been created that resembles the original color scheme of the film. However, the first kissing scene had to be restored digitally because the source elements were in bad condition. See more »
Reading from Top to Bottom...Hitchcock's Sophisticated Masterpiece
Not only does REAR WINDOW (RW) have Alfred Hitchcock's trademark wit, suspense, and romance (with a touch of friction) in spades, but it's one of his most well-crafted, cleverly-staged movies; in fact, even though RW is based on a Cornell Woolrich story, I can't imagine this story being told as effectively in any medium other than cinema. However, the technical accomplishments (explained most entertainingly in the DVD's documentaries) would be nothing without the engaging characters. James Stewart's neighbors are interesting enough to warrant their own movies, and in addition to providing a wry microcosm of New York City life (the only dated thing about it is the lack of air conditioning), they all reflect possible outcomes for the somewhat stormy romance between laid-up shutterbug Stewart and the luminous Grace Kelly as his upscale fashion maven inamorata. As Brent Spiner said while hosting a showing of RW on TNT, the real perversion of the film is Stewart's reluctance to commit to the irresistible Kelly! In fact, one of the things I like about the movie is the way it shows these two very different people gradually learning to compromise and work together. The piquant final shot shows that a woman can have a happy relationship with a man without submerging her own personality -- refreshing for the 1950s! Great supporting cast, too, including Wendell Corey, Raymond Burr in one of his last bad-guy roles before PERRY MASON, and the scene-stealing Thelma Ritter. Incidentally, the restored special edition RW DVD was put together just in time to include Georgine Darcy ("Miss Torso"), then one of the last surviving cast members. Darcy died earlier this year; she will be missed.
137 of 197 people found this review helpful.
Was this review helpful to you?
| Report this