On trial for murdering his girlfriend, philandering stockbroker Larry Ballentine takes the stand to claim his innocence and describe the actual, but improbable sounding, sequence of events that led to her death.
A bank heist yields $210,000. Soon, sultry Lona McLane, girlfriend of one of the robbers, meets Paul Sheridan and has a torrid affair. When she finds out Paul's a cop, to save herself she sets out to corrupt him. He's a pushover. But it won't be easy for Paul to get his hands on the money when he's part of a complex, peeping-tom stakeout. Soon, he's in much deeper than he'd planned, amid atmospheric night scenes.Written by
Rod Crawford <email@example.com>
Philip Carey ogling the nurse through a pair of binoculars, is reminiscent of his character in Mister Roberts (1955), who did the same thing. See more »
As in "Double Indemnity", although Fred MacMurray's character is not married, he wears a wedding ring throughout the film. See more »
New car, mink coat, no clocks in the joint... probably the story of her life.
You just don't like women, Rick.
What keeps you single?
Maybe I like 'em too much.
I've seen all kinds since we joined the force... B-girls, hustlers, blackmailers, shoplifters, drunks. You know, I think I'd still be married if I could find a half-honest woman. Must be a few of 'em around.
Watch yourself! Those few might just be smarter!
See more »
It's Fred MacMurray again, as a virtuous agent for the causes of good. Instead of playing an insurance salesman with an eye for the fast buck, here he's playing a cop assigned to shadow Novak, the mobster's moll. Kim Novak is as beautiful as she's ever appeared on the screen. The lighting in her early scenes is as dramatic and sensual as it can be. Who wouldn't fall in love with her? Comparisons with Double Indemnity just can't be ignored. She is the vamp that Barbara Stanwyck could never be. She's softer and more feminine in that 50's style, and less hard-edged than Stanwyck, which makes her much more dangerous. Novak's generally wooden acting style & "flat affect" gives way to a softer sex-kitten demeanor. MacMurray's character is a more active participant in the events that unfold than in "DD", where he seemed to get his courage and strength from Stanwyck's cold & calculating personna. Billy Wilder could have made this a masterpiece, but even without the guidance of the master's hand, this one is definitely well-worth watching.
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