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On the Waterfront (1954)

Not Rated | | Crime, Drama, Thriller | 22 June 1954 (Japan)
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1:35 | Trailer

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An ex-prize fighter turned longshoreman struggles to stand up to his corrupt union bosses.

Director:

Elia Kazan

Writers:

Budd Schulberg (screenplay), Budd Schulberg (based upon an original story by) | 1 more credit »
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Popularity
3,253 ( 158)
Top Rated Movies #146 | Won 8 Oscars. Another 21 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marlon Brando ... Terry Malloy
Karl Malden ... Father Barry
Lee J. Cobb ... Johnny Friendly
Rod Steiger ... Charley Malloy
Pat Henning Pat Henning ... Kayo Dugan
Leif Erickson ... Glover
James Westerfield ... Big Mac
Tony Galento Tony Galento ... Truck
Tami Mauriello Tami Mauriello ... Tillio
John F. Hamilton John F. Hamilton ... 'Pop' Doyle (as John Hamilton)
John Heldabrand John Heldabrand ... Mott
Rudy Bond ... Moose
Don Blackman Don Blackman ... Luke
Arthur Keegan Arthur Keegan ... Jimmy
Abe Simon Abe Simon ... Barney
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Storyline

Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

A story as warm and moving as GOING MY WAY...but with brass knuckles! See more »

Genres:

Crime | Drama | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 June 1954 (Japan) See more »

Also Known As:

The Hook See more »

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Box Office

Budget:

$910,000 (estimated)

Gross USA:

$9,600,000
See more on IMDbPro »

Company Credits

Production Co:

Horizon Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Marlon Brando's Oscar for Best Actor was either lost or stolen. The award did show up later when Brando was contacted by a London auction house, intending to sell the item. See more »

Goofs

When Father Barry (Karl Malden) gets hit in the head with a beer can, he gets a cut on his forehead, which bleeds visibly in the scene. In subsequent scenes, there is no sign of the cut or of a bandage to show that he had been hurt. See more »

Quotes

[first lines]
Johnny: [to Terry] You take it from here, Slugger.
See more »

Crazy Credits

Opening credits are shown over a bamboo-type mat background. See more »

Alternate Versions

Starting on 29 February 2004, TCM (Turner Classic Movies) channel plays this film in a widescreen aspect ratio of (1.85:1). This is despite the fact that the Columbia Tri-Star DVD (Release Date: October 23, 2001) is produced in only the Academy Standard (Full Screen or Pan&Scan) aspect ratio (1.33:1). Presumably, the intended ratio is (1.85:1). See more »

Connections

Referenced in Nostalgia Critic: The Top 11 Worst Movie Sequels (2017) See more »

Soundtracks

Here Comes the Bride
(uncredited)
Written by Richard Wagner
See more »

Frequently Asked Questions

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User Reviews

 
More and more, the Rolled-out Dough will crook the Rolling Pin
19 September 2008 | by CihanVercanSee all my reviews

Terry lives in the shadow of his smart brother Charley the Gent working for a double-handed businessman of the underworld. He had his best times of his life during his boxing career, and has brought his dimes in for his brother. Charley's boss named Johnny Friendly is the man who is behind Terry's fame, but he is also the same man who nibbled his dimes from boxing.

The curtain opens with Terry working for Johnny Friendly to be participated in a murder. He does his duty and the murder takes effect. The victim was a labor, whose labor leader also works for Johhny Friendly. Terry turns gloomy when he finds out that the victim has been only seeking his rights when he became a rebel. Especially when Terry meets with the victim's sister his suspects grew. She reasons with him that there are two opposite sides: Johnny Friendly's rich and still-growing syndicate versus the dependent and needy workers who are driven into Johnny Friendly's punitive sanctions. Provided that Terry finds a third side: His own.

A run of the mill plot of the mid-20th century. Everybody is pretty much familiar with labor union issues. Mainly the subject gives nothing more than workers seeking out their rights. However, consider that it's Elia Kazan who ushers a new era of actors who rage the whole scenes and turn out heroes out of bums. On the Waterfront has surely inspired millions. For instance, in Robert De Niro's "Raging Bull", a prize-fighter like Terry Malloy turns out to be a stage actor and affirms Terry's speech of reproach to his brother, where no other words could describe his situation he fell into.

Marlon Brando's can-do attitude created an inspirational movement, imprinting our memory, that "If Terry Malloy can do this, yes; I can do this, and yes; everybody can do this". Subsequently movie makers began to deliver efforts and accomplishments to the silver screen in order to catch viewers' appreciations. On The Waterfront, Elia Kazan and Marlon Brando are those to remember together in the motion picture history.


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