After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers.Written by
Colin Tinto <email@example.com>
According to Marlon Brando's friend, Carlo Fiore, and his reminiscences in his book "Bud: The Brando I Knew", it was Fiore who helped make some key decisions about the famous taxi cab scene. It wasn't working to Brando's satisfaction, and the actor was becoming increasingly frustrated at being unable to find the truth about the scene. Fiore told him that having a gun pulled on him by his brother would hit a bullshit note with Terry, and that shocked disbelief that his brother would do such a thing would be the most appropriate response. Brando then went into a stormy conference with Elia Kazan and Sam Spiegel before nailing the scene. Afterwards Kazan drew Fiore aside and said "Next time you get an idea about a scene, bring it to me, not Marlon, okay?" There is some doubt about the veracity of this story however as one look at the original script reveals that shocked surprise was Terry's reaction all along. See more »
In the church scene when the meeting is broken up by the thugs outside there is a long shot with the characters trying to decide which way to run and you can see a boom mic bouncing around for a few seconds at the top of the screen. See more »
You take it from here, Slugger.
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Opening credits are shown over a bamboo-type mat background. See more »
Criterion Collection Blu-ray Disc release exhibits the film in 1.66:1, which is widely regarded to be the "correct" aspect ratio for the film. However, a second disc includes the film in 1.33:1 AND 1.85:1, so that viewers can watch the film in the different ratios. See more »
More and more, the Rolled-out Dough will crook the Rolling Pin
Terry lives in the shadow of his smart brother Charley the Gent working for a double-handed businessman of the underworld. He had his best times of his life during his boxing career, and has brought his dimes in for his brother. Charley's boss named Johnny Friendly is the man who is behind Terry's fame, but he is also the same man who nibbled his dimes from boxing.
The curtain opens with Terry working for Johnny Friendly to be participated in a murder. He does his duty and the murder takes effect. The victim was a labor, whose labor leader also works for Johhny Friendly. Terry turns gloomy when he finds out that the victim has been only seeking his rights when he became a rebel. Especially when Terry meets with the victim's sister his suspects grew. She reasons with him that there are two opposite sides: Johnny Friendly's rich and still-growing syndicate versus the dependent and needy workers who are driven into Johnny Friendly's punitive sanctions. Provided that Terry finds a third side: His own.
A run of the mill plot of the mid-20th century. Everybody is pretty much familiar with labor union issues. Mainly the subject gives nothing more than workers seeking out their rights. However, consider that it's Elia Kazan who ushers a new era of actors who rage the whole scenes and turn out heroes out of bums. On the Waterfront has surely inspired millions. For instance, in Robert De Niro's "Raging Bull", a prize-fighter like Terry Malloy turns out to be a stage actor and affirms Terry's speech of reproach to his brother, where no other words could describe his situation he fell into.
Marlon Brando's can-do attitude created an inspirational movement, imprinting our memory, that "If Terry Malloy can do this, yes; I can do this, and yes; everybody can do this". Subsequently movie makers began to deliver efforts and accomplishments to the silver screen in order to catch viewers' appreciations. On The Waterfront, Elia Kazan and Marlon Brando are those to remember together in the motion picture history.
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