A beautiful, love starved woman named Misty, leaves an abusive relationship with an odd man. She joins a pack of bikers and many sexual escapades and intense happenings occur on her adventure into a new freedom.
Edward D. Wood Jr.
Edward D. Wood Jr.,
Tex is a gunslinger who murders a cowboy and steals his money. Lem is an honest man who wants nothing more than to marry Barbara. When Tex marries Barbara and treats her badly, Lem decides to settle the score.
This was Herbert Rawlinson's final film before his death on July 12, 1953 at the age of 67. He died the morning after his last scene was shot; it is obvious throughout the film that he is having trouble breathing. See more »
After the operation to change Vic Brady's face, the first time the bandages come off, the scar on his forehead runs diagonal from the top of his nose to well above the eye. However when he's shot by the pool, the scar runs laterally across the middle of his forehead. See more »
They've had my picture in the files so long it's getting moldy.
See more »
Released onto home video as a "Director's Cut," in which a striptease scene replaces the original segment of a blackface entertainer. See more »
Not as well-known as Wood's notorious 'horror' output but this truly lamentable attempt at a film noir - demonstrating, if only in its ramshackle production values, an affinity with the cinema of Orson Welles and Edgar G. Ulmer - is at least equally inept and hilarious, if still emerging as perhaps his most tolerable effort!
It's practically a manual on how NOT to make a noir: despite a generous dose of hard-boiled - yet godawful - dialogue (particularly in the scenes depicting the gangster's constant bickering with his moll), the film has absolutely no sense of atmosphere, a headache-inducing and inappropriate score, an irrelevant musical number (in blackface, to boot!) and some of the worst, most amateurish acting you're ever likely to see! Perhaps the main culprit in this regard is elderly Herbert Rawlinson (who, amazingly, kept working on such rubbish when he was dying of lung cancer and, in fact, kicked the bucket a day after production wrapped!) as an eminent surgeon who has to contend with a delinquent son; the latter gets embroiled in armed robbery and murder and is subsequently killed by his associate, after the surgeon persuades him to give himself up to the Police. However, the gangster blackmails the old man into doing a makeshift job of plastic surgery in order to avoid capture - but, in perhaps the most uproarious scene of the entire film, the doctor discovers his son's corpse in the gangster's kitchen, without so much as a reaction, and decides to turn the tables on him. While not unpredictable, I must say that the twist ending works...but, unfortunately, the TV reception got screwed up during the last few minutes of the film, so I missed out on some of the details!
By the way, the younger of two cops who tail Rawlison's son throughout the film is none other than future peplum icon Steve Reeves in his film debut - and he looks as uncomfortable in a suit and tie as Chuck Heston!!
8 of 10 people found this review helpful.
Was this review helpful to you?
| Report this