7.2/10
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17 user 25 critic

Inauguration of the Pleasure Dome (1954)

A Slavonic Mass by Leos Janácek plays as historical figures, biblical characters, and mythical creatures gather in the pleasure dome. Aphrodite, Lilith, Isis, Kali, Astarte, Nero, Pan, and ... See full summary »

Director:

Kenneth Anger (as Anger)
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Cast

Complete credited cast:
Samson De Brier Samson De Brier ... Lord Shiva / Osiris / Nero / The Great Beast
Marjorie Cameron Marjorie Cameron ... The Scarlet Woman / Kali
Joan Whitney Joan Whitney ... Aphrodite
Katy Kadell Katy Kadell ... Isis
Renate Druks Renate Druks ... Lilith (as Renata Loom)
Anaïs Nin Anaïs Nin ... Astarte
Paul Mathison Paul Mathison ... Pan
Curtis Harrington Curtis Harrington ... Cesare / Slave / Sleep-walker
Kenneth Anger ... Hecate
Peter Loome Peter Loome ... Ganymede
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Storyline

A Slavonic Mass by Leos Janácek plays as historical figures, biblical characters, and mythical creatures gather in the pleasure dome. Aphrodite, Lilith, Isis, Kali, Astarte, Nero, Pan, and the Great Beast and the Scarlet Woman are part of a visual feast of images superimposed, hallucinations, and the spirit of decadence of the "Yellow '90s." Mythological images from Aleister Crowley, cabalistic symbols, artifice, and magic combine to render the pleasure dome both as prison and as celebration. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Short | Fantasy | Horror

Parents Guide:

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Details

Country:

USA

Language:

English

Release Date:

1954 (USA) See more »

Also Known As:

Торжественное открытие храма наслаждений See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Kenneth Anger was inspired to make the film after attending a Halloween party where the theme was "Come as your Madness". See more »

Connections

Features Puce Moment (1949) See more »

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User Reviews

A spiralling occult nightmare drawing the viewer eerily close to the world of magick.
10 October 2001 | by hansornotSee all my reviews

I have only had the priviledge of seeing three Kenneth Anger films, all picked up as curiosities from the college library. But, this film is staggering in the sensory rampage it inflicts. Deep, primal archetypes are brought to life in a chillingly abstract vision.


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