Human Desire (1954)

A Korean War vet returns to his job as a railroad engineer and becomes involved in an affair with a co-worker's wife following a murder on a train where they meet.

Director:

Fritz Lang

Writers:

Alfred Hayes (screenplay), Émile Zola (novel) (as Emile Zola)

Stars:

Glenn Ford, Gloria Grahame, Broderick Crawford

Cast

Complete credited cast:
Glenn Ford	...	Jeff Warren
Gloria Grahame	...	Vicki Buckley
Broderick Crawford	...	Carl Buckley
Edgar Buchanan	...	Alec Simmons
Kathleen Case	...	Ellen Simmons
Peggy Maley	...	Jean
Diane DeLaire	...	Vera Simmons
Grandon Rhodes	...	John Owens

Storyline

Jeff Warren, a Korean War vet just returning to his railroad engineer's job, boards at the home of co-worker Alec Simmons and is charmed by Alec's beautiful daughter. Vicki Buckley is the sultry wife of brutish railroad supervisor Carl Buckley, an alcoholic wife beater with a hair trigger temper and penchant for explosive violence. After Buckley is fired for insubordination, he begs Vicki to intercede on his behalf with John Owens, a rich and powerful businessman who Vicki's mother used to keep house for, and whose influence can get him reinstated. When Buckley suspects she has used sexual favors to persuade Owens, he beats Vicki and develops a plan to meet Owen on the train and stabs him to death in a jealous rage in a his compartment. Jeff, who is deadheading after a trip, is on the train and meets Vicki without knowing who she is when Buckley needs her to get him out of the way so he can get back to their compartment without being seen as he is covered in blood. Jeff is a potential...

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Plot Keywords:

infidelity | murder pact | marital infidelity | dysfunctional marriage | strangled to death | 

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Taglines:

She was born to be bad...to be kissed...to make trouble!

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Genres:

Drama | Film-Noir | Romance

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

3 November 1954 (West Germany)

Also Known As:

The Human Beast

Filming Locations:

Columbia/Sunset Gower Studios - 1438 N. Gower Street, Hollywood, Los Angeles, California, USA

Company Credits

Production Co:

Columbia Pictures Corporation

Technical Specs

Runtime:

91 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Fritz Lang did not like the title and thought it redundant. "What other kind of desire is there?" is his reported comment.

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Goofs

The exact same footage of the conductor in the vestibule of the passenger car is used twice in different parts of the movie.

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Quotes

Jean: [Dressing for a date] Zip me up will you, Carl?
Carl Buckley: [Impatiently] You dames, you spend more time gettin' dressed...
Jean: Have to! It's much better to have good looks than brains because most of the men I know can see much better than they can think.

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Connections

Referenced in Thèmes et variations du cinéma: adapter Émile Zola (1964)

User Reviews

You never knew me.

Human Desire is directed by Fritz Lang and adapted for the screen by Alfred Hayes from the story "The Human Beast" written by Émile Zola. It stars Glenn Ford, Gloria Grahame and Broderick Crawford. Music is by Daniele Amfitheatrof and Burnett Guffey is the cinematographer. The story had been filmed twice before, as Die Bestie im Menschen in 1920 and La Bête humaine in 1938.

The plot revolves around a love triangle axis involving Jeff Warren (Ford), Vicki Buckley (Grahame) and Carl Buckley (Crawford). Crawford's Railroad Marshall gets fired and asks his wife, Viki, to sweet talk one of the yards main investors, John Owens (Grandon Rhodes), into pressuring his yard boss into giving him his job back. But there is a history there, and Carl is beset with jealousy when Viki is away for far too long. It's his jealousy that will start the downward spiral of events that will change their lives forever, with Jeff firmly in the middle of the storm.

The Production Code of the time ensured that Fritz Lang's take on the Zola novel would be considerably toned down. Thus some of the sex and violence aspects in the narrative give way to suggestion or aftermath. However, for although it may not be in the top tier of Lang's works, it's still an involving and intriguing picture seeping with film noir attributes. It features a couple of wretched characters living a bleak existence, what hope there is is in short supply and pleasures are futile, stymied by jealousy and murder. Thrust in to the middle of such hopelessness is the bastion of good and pure honesty, Jeff Warren, fresh from serving his country in the Korean War. Lusted after by the sweet daughter of his friend and landlord (Kathleen Case and Edgar Buchanan respectively), Jeff, back in employment at the rail yard, has it all going for him. But as the title suggests, human beings are at times at the mercy of their desires, and it's here where Lang enjoys pitting his three main characters against their respective fates. All set to the backdrop of a cold rail yard and the trains that work out of that steely working class place (Guffey's photography in sync with desolation of location and the characters collision course of fate).

Featuring two of the principal cast from The Big Heat (1953), it's a very well casted picture. Grahame is a revelation as the amoral wife stung by unfulfillment, sleazy yet sexy, Grahame makes Vicki both alluring and sympathetic. Lang had wanted Rita Hayworth for the role, but a child custody case prevented her from leaving the country (much of the film was shot in Canada), so in came Grahame and film noir got another classic femme fatale. Ford could play an everyman in his sleep, so this was an easy role for him to fill, but that's taking nothing away from the quality of his performance, because he's the cooling glue holding the film together. Crawford offers up another in his line of hulking brutes, with this one pitiful as he has anger issues take a hold, his original crime being only that he wants to desperately please his uncaring wife. Strong support comes from Buchanan, Case and Diane DeLaire.

Adultery, jealousy, murder and passion dwells within Human Desire, a highly accomplished piece of film noir from the gifted Fritz Lang. 7.5/10