Three strangers from different time periods find themselves in Hell after death: a white mirror-less room under the gaze of a security camera, always observant. Soon they shall discover ... See full summary »
A valet enters a hotel room with a man in tow. The windowless room has a single entrance and no mirrors. Two women are then led in; afterwards, the Valet leaves and locks the door. ... See full summary »
Jenny Lamour wants to succeed in music hall. Her husband and accompanist is Maurice Martineau, a nice but jealous man. When he knew Jenny is making eyes at Brignon, an old businessman, in ... See full summary »
Life in a small Mexican village where joy and misery, hope and pain, passion and guilt, love and decay, life and death are mixed in the peasants life and two French citizens who end up stranded in there, during a typhoid epidemic.
Rafael E. Portas
Víctor Manuel Mendoza
Louis Mennechain is a modest locksmith. So imagine his amazement when Professor Piétrefond approaches him and tells him he recognizes in him a descendant of the kings of France, more ... See full summary »
A young working girl must suport her family on only five dollars a week. The strain of trying to feed, house and clothe her mother, her father and three brothers finally gets to be too much... See full summary »
"No Exit" is a thriller loosely based on the famous French play "Huis Clos" by Jean-Paul Sartre. Jonathan and Leigh wake up in strange motel room after being sedated. There is no escape ... See full summary »
...Probably the first important woman director France has ever known.Male chauvinism:her movies are very rarely broadcast on TV and her name is slowly fading.
She often adapted Colette's works for the screen,but here,she tackles Jean-Paul Sartre ,no less!It's the philosopher's most famous drama (with its immortal sentence :"l'enfer,c'est les autres" (= Hell is
other people).Audry had to cope with problems inherent to any adaptation of a play:she succeeded quite good by using flashbacks - like Mankiewicz would do for "suddenly last summer"-,and inventing a very brilliant first scene:Alan Parker might have seen the movie,because he uses the elevator in "Angel heart" (1987)the same way Audry did in 1954.
Most of all,she's got three convincing actors,two of whom are unfortunately forgotten today (Gaby Sylvia was essentially a stage actress and Frank Villard was cast against type here:he was the tough male raider type:but convincing anyway).The third one is none other than the great Arletty:after "les enfants du paradis",like so many others who "collaborated" during the occupation -her only sin was to fall in love with a German:she said afterwards "My heart is French,but my a.. is international!"-she was blacklisted and when she could return,she was relegated to small parts -but she triumphed on the stage notably with the part of Blanche in "streetcar named desire"-."Huis clos" is one of her rare leading parts after the war.She outdoes herself here ,playing lesbian Inès so intensely she's almost frightening and threatening.As historian Jean Tulard said "she was our best actress"
"Huis clos" is really interesting and will reward you if you give it a chance.Three people (alive or dead no matter)tearing each others to pieces.
If you like it,try "les jeux sont faits" another Sartre adaptation by Jean Delannoy
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