A C-47 transport plane, named the Corsair, makes a forced landing in the frozen wastes of Quebec, and the plane's pilot, Captain Dooley, must keep his men alive in deadly conditions while waiting for rescue.
During the Alaska gold rush, prospector George sends partner Sam to Seattle to bring his fiancée but when it turns out that she married another man, Sam returns with a pretty substitute, the hostess of the Henhouse dance hall.
On a flight from Hawaii to California, the engine dies on the plane Dan is flying. As he prepares for a crash landing, the passengers reassess their lives. The template for disaster movies with an Oscar-winning score and a cast list that reads like a who's who of 1950s film.Written by
One of many 1950s film and novel titles influenced by the success of MGM's The Bad and the Beautiful (1952). Others in this mold include The Proud and Profane (1956), The Bold and the Brave (1956), The Pride and the Passion (1957), The Naked and the Dead (1958), Flame and the Flesh (1954) and The Agony and the Ecstasy (1965). See more »
As the plane is about to ditch in the ocean, the stewardess instructs the passengers inflate their life vests. This would be against procedure. Passengers are only supposed to inflate their vests after ditching, when they have left the plane cabin and are in the water. (Inflating life vests inside the plane can risk drowning if water were to flood the cabin.) See more »
The song "The High and the Mighty" (with lyrics) does not appear in the original 1954 release of this film. However, the studio wanted the hugely popular, chart-topping song to be nominated for the Best Song Academy Award that year. According to AMPAS regulations, the song could not be nominated because it was no officially sung in the film, even if would be heard elsewhere. To satisfy these regulations, a version was released towards the tail-end of 1954 for a few nights only with the song inserted into an Exit Music. The Academy then decided to give the song a nomination on the basis of these screenings. The song lost to "Three Coins in a Fountain". See more »
Has there ever been a more majestic film score? Slightly melancholy and beautifully haunting, Dimitri Tiomkin's Academy Award winning music gives us a grand and expansive auditory experience comparable perhaps to what a soaring eagle must feel, in its own way, as it glides high above a landscape of the mundane and the mediocre.
In the early 50s, people were just getting used to the idea that they could climb aboard a big man-made eagle and soar above cars, buses, and trains. It was a thrilling, but scary, idea, not unlike traveling on the Titanic. And so, with "The High And The Mighty", Hollywood created the first big budget movie that conveyed the idea of risk, in commercial air travel. Throughout the film, the overriding emotion is insecurity, not only among passengers but among the crew as well. Since the film was a cinematic prototype, I can see how its nerve-wracking story would appeal to moviegoers of that era. The film's angelic theme music thus provided inspiration to help viewers overcome their fear of something new and different, something potentially life threatening.
Since the early 50s, air travel has lost its sense of adventure. The film to us seems quaint and dated. What seemed odd to me, for example, was the ticket counter. The pace was leisurely, and the attention was very personal. Then, on board the plane, the stewardess made sure that the passengers got personalized attention. At one point, even the captain, upon request, reassured a nervous passenger. Those were the days.
First time viewers also need to be aware that this film is talky and dreamily melodramatic. The emphasis is on story and acting, not special effects or high-powered action. And then there is that final Act. It is different perhaps from what most of us probably would expect. But again, we must take into account the era in which the film was made.
Fifty years after its release, "The High And The Mighty", as a film, cannot compete with its own theme music. The sweeping orchestration, like music generally, transcends time and spans the generations. By contrast, technology, and mankind's reaction to technology, changes. The film's story thus has a different meaning to us than it did to the original moviegoers. If you can place the film in its proper historic context, you have a better chance of appreciating the film for what it was then, not for what it is now.
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