6.0/10
361
20 user 10 critic

Heat Wave (1954)

The House Across the Lake (original title)
Not Rated | | Crime, Drama | 16 April 1954 (USA)
An American writer living in England gets entangled in a scheme by a beautiful blonde to murder her rich husband.

Director:

Ken Hughes

Writers:

Ken Hughes (screenplay), Ken Hughes (novel)
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Cast

Complete credited cast:
Alex Nicol ... Mark Kendrick
Hillary Brooke ... Carol Forrest
Sidney James ... Beverly Forrest
Susan Stephen ... Andrea Forrest
Paul Carpenter Paul Carpenter ... Vincent Gordon
Alan Wheatley ... Inspector MacLennan
Peter Illing ... Harry Stevens
Gordon McLeod Gordon McLeod ... Doctor Emery
Joan Hickson ... Mrs. Hardcastle
John Sharp ... Mr. Hardcastle
Hugh Dempster Hugh Dempster ... Frank
Monti DeLyle Monti DeLyle ... Head Waiter (as Monti de Lyle)
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Storyline

An American writer living in England gets entangled in a scheme by a beautiful blonde to murder her rich husband.

Plot Summary | Plot Synopsis

Genres:

Crime | Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

16 April 1954 (USA) See more »

Also Known As:

Heat Wave See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.65 : 1
See full technical specs »
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Did You Know?

Trivia

Certain scenes must have been cut, as some prominently listed cast members (John Sharp, Joan Hickson, Monti de Lyle) are barely visible in the finished film. See more »

Goofs

Despite being set in the Lake District in England Carol drives a left hand drive car on the right side of the road. In England cards drive on the left and cars are right-hand drive. See more »

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User Reviews

Noir Crosses the Atlantic
2 April 2015 | by dougdoepkeSee all my reviews

At a time when noir production was converting to TV, Lippert hooked up with England's Hammer Films. (And that's before Hammer hooked up with Dracula and Frankenstein.) Judging from this effort, budget minded Lippert got a lot more bang for their buck overseas.

Compared with traditional noir, the settings here are much more naturalistic than expressionistic. There's little of the usual menace of light and shadow. Instead, most scenes are shot on location with natural lighting, except for the climactic fog-bound sequence. This undercuts atmosphere and mood, staples of standard noir. As a result, it's the fateful story that's highlighted. And since the story is narrated in flashback, it seems the outcome is pre- determined in some metaphysical sense.

Sure, you've seen the story before, as others point out. A rich man's slutty wife (Brooke) conspires to kill him with key help from a luckless fall guy (Nicol). Sounds like Double Indemnity (1944) even down to the double-cross. Still, the screenplay is good enough to hold interest. And was there ever a more stately ice queen than Hillary Brooke. It's hard to see her ever unwinding enough for intimacy. And therein lies a problem. Too bad the film couldn't show some stage of real melt from her, like a dash of undress or even mussed-up mascara. Nicol too is pretty low-key for a guy obsessed. But then this is 1954, not exactly the anything goes of more recent vintage. In my book, it's luckless Sidney James who steals the film, with his nicely modulated peek at a doomed man. I like the way the script only later fills in why he's so seemingly indifferent to his wife's very public affairs. That way we're left really curious for a well-timed period.

Anyhow, the movie's much better than the lowly two-stars out of four that TCM rates it. Then again, maybe I'm just a sucker for any noir with a well-turned ankle.


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