When seventeen vessels blow-up and sink nearby Odo Island, Professor Kyohei Yamane, his daughter Emiko Yamane and the marine Hideto Ogata head to the island to investigate. Soon they witness a giant monster called Gojira by the locals destroying the spot. Meanwhile Emiko meets her boyfriend, the secluded scientist Serizawa, and he makes she promise to keep a secret about his research with oxygen. She agrees and he discloses the lethal weapon Oxygen Destroyer that he had developed. When Gojira threatens Tokyo and other Japanese cities and the army and the navy are incapable to stop the monster, Emiko discloses Serizawa's secret to her lover Ogata. Now they want to convince Serizawa to use the Oxygen Destroyer to stop Gojira.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
George Lucas cites this film's miniatures as an inspiration for his effects in the Star Wars films. See more »
Several characters, including, Dr. Yamane, Japan's leading paleontologist, insist that the Jurassic Age was 2 million years ago. This is off by 142 million years. See more »
If my device can serve a good purpose, I would announce it to everyone in the world! But in its current form, it's just a weapon of horrible destruction. Please understand, Ogata!
I understand. But if we don't use your device against Godzilla, what are we going to do?
Ogata, if the Oxygen Destroyer is used even once, politicians from around the world will see it. Of course, they'll want to use it as a weapon. Bombs versus bombs, missiles versus missiles, and now a new superweapon to throw upon ...
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In the sequence where Godzilla destroys the train, shots of terrified people watching were cut from the US version. See more »
When one thinks of all the schlock that has come out of Japan when it comes to monster movies, many which use the Godzilla figure, one forgets that this was a pretty darn good movie. I remember as a child, watching it on late night television, in 1960. It was New Year's Eve and the adults were out doing whatever it is they did. The presence of Raymond Burr gave me a sense of comfort (Perry Mason was a staple at our house). I realize he was added for American audiences. It didn't matter to me. Unlike so many of its successors, this was nicely paced, didn't bank on Godzilla being a matinée idol (some of the films are so stupid where the thing becomes a friend to Tokyo, a form of defense). This film has the terror of "The Beast from 20,000 Fathoms." The sets were much better. The battle scenes truer than the cheaper things that came later. The monster was a force. I have always enjoyed that scene where one goes over a hill or a rise just before a beach, and on the other side is the monster. The scenes of him wading into the harbor. This is a striking presentation for the early days of monster movies. Of course, it's all based on radiation and the nuclear threat. This stuff enlarges things and makes them rampage. I hope to purchase the Japanese remastered version from 2004. I'd like to see it the way it was intended to be seen.
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