In eighteenth dynasty Egypt, Sinuhe (Edmund Purdom), a poor orphan, becomes a brilliant physician and with his friend Horemheb (Victor Mature) is appointed to the service of the new Pharoah (Michael Wilding). Sinuhe's personal triumphs and tragedies are played against the larger canvas of the turbulent events of the eighteenth dynasty. As Sinuhe is drawn into court intrigues, and bizarre secrets are revealed to him, he learns the answers to the questions he has sought since his birth. Short on historical accuracy, but strong on plot and characterization.Written by
The use of the Ankh (Cross of Life), to represent Akenaten's new religion reflects a popular and esoteric belief in the 1950s that Monoaltristic Atenism was a sort of proto-Christianity. While there is no connection between the ankh and the Christian cross, the principal of Aten was not an ankh but a solar disk emitting rays, though the rays usually ended with a hand holding out the ankh to the worshippers. The sun disk is only seen twice in the movie. 1. When Akenaten is in the desert he has it painted on a rock, and Sinuhe shouts "Look! He worships the face of the sun." 2. It appears again as part of the wall painting above Akenaten's throne. See more »
When Nefer is changing her clothes and her "nude" reflection is seen in the water, she is clearly wearing flesh-colored underwear. See more »
[Older Sinuhe voiceover]
I, Sinuhe the Egyptian, write this. In my place of exile on the shores of the Red Sea. There is no more desolate spot on earth. Soon the jackals and the vultures will make a poor meal of what is left of me. No monument will mark my resting place. I will leave only this, the story of my life. I have lived fully and deeply. I have tasted passion, crime and even murder. It is for you to judge me. You must weigh the good against the evil, the passion against the...
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The version of the film shown in the UK was shorter than the standard print by several seconds. Missing and apparently censored were the two shots of Nefer's head underwater as Sinuhe is attempting to kill her. See more »
"The Egyptian" has several pluses that make up for a rather slow pace. There is plenty to the story, which involves a lot of action as well as some interesting themes, and there is a lot of good scenery and cinematography. Most of the cast is pretty good, and there is an assortment of interesting characters.
The setting in ancient Egypt works well and is used to good effect. It makes for many interesting sights, which are filmed nicely and used well in the story. The plot does a good job of weaving the reign of Pharaoh Akhenaten, who tried to bring monotheism to Egypt, into the lives of the main characters. As the central character, Edmund Purdom is all right, but some of the other characters often command more attention. Victor Mature is particularly convincing as the no-nonsense Horemheb, and Peter Ustinov steals more than one scene as Purdom's assistant.
The only real flaw is the length. While there is plenty to the story, there are times when it moves quite slowly, and it doesn't seem as if it would have been all that hard to shorten some of the scenes. In particular, some of the speeches that summarize the conflict of ideas among the characters would have been more effective if they had not been quite so wordy.
But overall, this is a good movie, and it works pretty well both as a period piece and as a story.
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