In London, wealthy Margot Mary Wendice had a brief love affair with the American writer Mark Halliday while her husband and professional tennis player Tony Wendice was on a tennis tour. Tony quits playing to dedicate to his wife and finds a regular job. She decides to give him a second chance for their marriage. When Mark arrives from America to visit the couple, Margot tells him that she had destroyed all his letters but one that was stolen. Subsequently she was blackmailed, but she had never retrieved the stolen letter. Tony arrives home, claims that he needs to work and asks Margot to go with Mark to the theater. Meanwhile Tony calls Captain Lesgate (aka Charles Alexander Swann who studied with him at college) and blackmails him to murder his wife, so that he can inherit her fortune. But there is no perfect crime, and things do not work as planned.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Warner Brothers insisted on shooting the movie in 3-D, although the craze was fading and Sir Alfred Hitchcock was sure the movie would be released flat. Hitchcock wanted the first shot to be that of a close-up of a finger dialing the letter M on a rotary dial telephone, but the 3-D camera would not be able to focus such a close-up correctly. Hitchcock ordered a giant finger made from wood with a proportionally large dial built in order to achieve the effect. See more »
In the opening scene, the big trees at the end of the street are completely bare, as in winter. In all other scenes, the same trees are full of leaves, as in summer. Yet the murder occurred on September 26th, so all subsequent scenes ought to show fall colors. See more »
1954 was a big year for Grace Kelly. She played in Hitchcock's classic "Rear window" and she won an Oscar for best actress in "The country girl" and most people tend to forget that she starred in yet another classic, "Dial M for murder". Starring Grace Kelly, Ray Milland, and Robert Cummings, it is simply one of Hitchcock's finest movies of all-time. In fact, I would consider it to be my second favorite Hitchcock movie ever, my first being "Psycho" (although I haven't seen "Rear window" yet).
Margot (Grace Kelly) is married to Tony Wendice (Ray Milland), an ex-tennis player. However, she has been seeing another man named Mark Halliday (Robert Cummings). Mark writes crime stories. The two of them think that Tony doesn't know about their relationship but they're wrong; Tony has known about this relationship for one year and seems to have had enough of it. So when Mark, who lives in New-York, comes to London to see Margot, Tony wants to go out with Mark and his wife. But the night of the event, Tony is unable to go. So he tells Margot to take Mark out and to have a good time. The only problem is that Tony doesn't really have something that's keeping him from going out with Margot and Mark. He has another plan, the plan being to blackmail one of his old college friends that has become a small time crook into murdering his wife.
What follows this is pure entertainment at its best. As usual, Hitchcock masterfully directs this movie and has the right actors to do the job. Ray Milland and Grace Kelly deliver very good performances and surprisingly enough, Robert Cummings does a rather good job in his role of Mark Halliday, the American crime novel writer who accidentally stumbles on the answer. But it is John Williams who steals the show with his great performance as Inspector Hubbard, the detective who holds the key to the whole mistery. He is simply excellent and pretty funny when he is supposed to be. Another of his great performances is in "Witness for the prosecution" where he played Brogan Moore, Charles Laughton's very good friend and seconding lawyer in the case. As for "Dial M for murder", well it's one of those movies that anyone should see at pretty much any cost.
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