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Dial M for Murder (1954)

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A tennis player frames his unfaithful wife for first-degree murder after she inadvertently hinders his plan to kill her.

Director:

Alfred Hitchcock

Writers:

Frederick Knott (screen play), Frederick Knott (adapted from his play)
Reviews
Popularity
4,117 ( 582)
Top Rated Movies #155 | Nominated for 1 BAFTA Film Award. Another 3 wins & 2 nominations. See more awards »

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Cast

Complete credited cast:
Ray Milland ... Tony Wendice
Grace Kelly ... Margot Wendice
Robert Cummings ... Mark Halliday
John Williams ... Chief Inspector Hubbard
Anthony Dawson ... Charles Swann
Leo Britt Leo Britt ... The Storyteller
Patrick Allen ... Detective Pearson
George Leigh George Leigh ... Detective Williams
George Alderson George Alderson ... First Detective
Robin Hughes ... Police Sergeant O'Brien
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Storyline

In London, wealthy Margot Mary Wendice had a brief love affair with the American writer Mark Halliday while her husband and professional tennis player Tony Wendice was on a tennis tour. Tony quits playing to dedicate to his wife and finds a regular job. She decides to give him a second chance for their marriage. When Mark arrives from America to visit the couple, Margot tells him that she had destroyed all his letters but one that was stolen. Subsequently she was blackmailed, but she had never retrieved the stolen letter. Tony arrives home, claims that he needs to work and asks Margot to go with Mark to the theater. Meanwhile Tony calls Captain Lesgate (aka Charles Alexander Swann who studied with him at college) and blackmails him to murder his wife, so that he can inherit her fortune. But there is no perfect crime, and things do not work as planned. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Murder calling in 3D! (1978 re-release) See more »

Genres:

Crime | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

29 May 1954 (USA) See more »

Also Known As:

Alfred Hitchcock's Dial M for Murder See more »

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Box Office

Budget:

$1,400,000 (estimated)

Opening Weekend USA:

$12,562, 11 April 1999, Limited Release

Gross USA:

$12,562, 11 April 1999

Cumulative Worldwide Gross:

$13,080,000, 31 December 1954
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Color:

Color (WarnerColor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Visa d'exploitation en France #15714. See more »

Goofs

The boom mic is reflected in garden doors above Tony's and Inspector Hubbard's heads during the Inspector's first visit. See more »

Quotes

[first lines]
Margot Mary Wendice: let me get you another drink. Mark, before Tony comes I ought to explain something.
Mark Halliday: Yes, I've been waiting for that.
Margot Mary Wendice: I haven't told him anything about us.
See more »

Crazy Credits

The title is shown on a background of a British telephone dial; its MN/6 marking is replaced by a single large M which forms the single M of the title. See more »

Connections

Spoofed in Flashback (2011) See more »

Frequently Asked Questions

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User Reviews

 
Excellent
21 January 2013 | by SpondonmanSee all my reviews

What gets me about this film every time I see it is just how simple it is. The witty urbanity of the dialogue goes without saying (hem), the acting is stagily impeccable, and the direction by Hitchcock is limited by the small sets but masterful for all that.

Cold Ray Milland plans and sets up the murder of his demure but faithless wife Grace Kelly by a virtual stranger who is urged on by the stick of exposure of his misdeeds and the carrot of GBP1,000 in used notes. Of course all of his convoluted plans go horribly or thankfully wrong, depending on your point of view, leading to an even more convoluted revised plan. When first seen when young I wasted my time because I wasn't paying attention at the critical moment so missed the point and didn't get it: the key is how did the baddie get into the apartment? It's incredibly verbose, being from a stage play after all and at times it seems nothing more than a radio show with pictures. The long scene setting and verbal sparring by Milland and Anthony Dawson is superb to hear - it's fascinating for its relentless poetry, and of displaying a now-dead world. I could never understand the attraction of 3D movies, least of all with this particular attempt, or why Kelly was continually uglified by the Hollywood machine when she never looked lovelier than in here when she was playing stressed out throughout.

I wonder if Hitch remembered the jokey murder scene he did in 1930 in Elstree Calling when Jameson Thomas realised he was murdering in the wrong apartment? Turn that key you have and go in, it's a remarkably literate film and as intricate inside as any lock.


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