Fugitive bank robber Joe Maybe steals the identity of a marshal and rides into a town whose judge asks Joe to act as town marshal but an old flame almost betrays his real identity forcing Joe to claim she's his wife.
In the old West, a small frontier town is being controlled by ruthless mob boss Decker and his cronies. After the local sheriff dies under mysterious circumstances, Decker arranges to have the town drunk appointed sheriff, thinking he will be ineffectual. But the new sheriff sends for Tom Destry, son of a famous two-fisted lawman, to be his deputy. When Tom arrives, he isn't exactly the swaggering he-man the sheriff had in mind. In fact, Destry doesn't even carry a gun. But the new deputy's mild exterior masks a fierce determination to see justice done, as Decker and the other locals soon discover.Written by
Dan Navarro <email@example.com>
When Tom Destry shows off his shooting skills at the saloon, he shoots off all the silver ornaments located at the tips of the star from the money wheel (56:41). However, at the final shoot-out scene in the saloon, the money wheel seems to have at least some of the silver ornaments still intact. See more »
Are you going to take over the whole job now?
Well, Rags was just in here and traded this
[his sheriff's badge]
for a jug. I guess he figured it was better to be a first-rate drunk than a second-rate sheriff.
See more »
Something Should Be Done About Promiscuous Shooting
Sometimes remakes do turn out for the best and Audie Murphy was a perfect in the casting of another edition of the Destry saga. I will say this though, Destry's grown up considerable. Audie uses some forensic science to clean up the town and the final gunfight is played a bit more seriously than in the James Stewart-Marlene Dietrich classic.
For those who haven't seen either film, a certain crooked saloon keeper/ town boss has been grabbing land by hook or crook and kills the sheriff who's opposing him. Lyle Bettger is every bit as nasty as Brian Donlevy was. Bettger gets the idea to make the deputy, Thomas Mitchell, the sheriff. Mitchell is the town drunk, but Mitchell fools them and sends for the son of legendary lawman Tom Destry to be his deputy.
When Audie Murphy as Destry comes to town it's without wearing firearms, but in his own quiet way Audie gets results.
Of course saloon girl Mari Blanchard ain't a patch on Marlene Dietrich, but that's pretty stiff competition for anyone. Edgar Buchanan is the mayor and does his usual foxy and calculating part and we're not quite sure where he'll wind up in the end.
Destry is one of Audie Murphy's better B westerns from the Fifties and it shows with the right casting, a classic can be done well a second time.
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