The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula wants it back to benefit from its powers. Marcellus' former slave Demetrius seeks to prevent this, and catches the eye of Messalina, wife to Caligula's uncle Claudius. Messalina tempts Demetrius, he winds up fighting in the arena, and wavers in his faith.Written by
Ron Kerrigan <firstname.lastname@example.org>
The set of the Christian neighborhood in Rome has previously been used in The Robe (1953) (of which this film is the sequel) as the village of Cana. We can easily recognize the well with old broken columns. See more »
When Demetrius stabs a tiger several times on it's light-colored underside, there is no blood either on the tiger or on the dagger. There is also no blood on the dagger when Demetrius later stabs one of the other gladiators and pulls the dagger out. No blood appears on the gladiator, either. It is obvious that the blades on these "daggers" retracted into the handles upon "stabbing". See more »
Don't you find him interesting?
He's a remarkable young man. He has something that Rome has lacked since the early days of the republic, something to believe in - faith. Our early conquests weakened it. My family, we Caesars killed and buried it. Strange if the memory of a dead Jew should bring it to life again. Messalina, don't hurt him. Don't destroy what he has.
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Being born in 1956, this film has had it's run on my TV screen for years. I have always enjoyed this movie even with it's campy backdrops and fake tiger scenes.
The first positive, is that Susan Hayward was and is a babe throughout this film, and awful easy on the eyes. Second, add a young Anne Bancroft and Debra Paget, and the film goes babe-fest! What's not to like?
Yes, Jay Robinson does go way overboard as Caligula, and Victor Mature was a bit too wholesome as Demetrius, but the guy never really took himself too serious as an actor to start with. Toss in Michael Rennie, William Marshall, a young Richard Egan (300 Spartans), and Earnest baby, and your get a star-studded action film that holds it's own in the world of even worse Roman epics like the tortuous "Fall of the Roman Empire".
I sat through that no-action/women (Ok Sophia!) bore in a theater for as long as my mother could put up with her two boys squirming and bellyaching about the 188 minute run time. Alas, with us tag-teaming her, she never lasted to see the end of that film!
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