The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula wants it back to benefit from its powers. Marcellus' former slave Demetrius seeks to prevent this, and catches the eye of Messalina, wife to Caligula's uncle Claudius. Messalina tempts Demetrius, he winds up fighting in the arena, and wavers in his faith.Written by
Ron Kerrigan <email@example.com>
Whilst The Robe (1953) enjoyed a 12-week run in London's West End, its sequel was not quite so successful. Demetrius opened at the Odeon, Marble Arch, on 9 September 1954 and ran for five weeks. However, its general release on 3 January 1955 had the advantage that, by then, many more British cinemas had been equipped for CinemaScope than when The Robe started. See more »
Caligula is depicted in this movie and its prequel "The Robe" as persecuting Christians. However, he reigned from 37 to 41 (he's killed near the end of this movie), whilst Christianity was still a nascent religion with most of its followers in the eastern Mediterranean. The first mention of Christians from the perspective of the Roman government, according to the Roman historian Suetonius, wasn't until the reign of his successor Claudius (reigned 41-54). The first major incidents of persecution of Christians did not occur until the reign of Nero (reigned 54-68). See more »
I have the power of life and death over every being in the empire! My power is as great as any god's! True?
Why should I have to die? Who should I have to suffer death like any plebeian, any slave? Is that logical? Is it?
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This is a place where men are trained to kill each other like animals!
Demetrius and the Gladiators is a sequel to The Robe. It's directed by Delmer Daves and stars Victor Mature as Demetrius, a Christian slave made to fight in the Roman arena as a gladiator (and ultimately entering into a bigger fight, that of faith), and Susan Hayward as Messalina. Filling out the support cast are Ernest Borgnine, William Marshall, Michael Rennie, and Jay Robinson as the maniacal emperor Caligula. The screenplay is from Philip Dunne (How Green Was My Valley/The Agony and the Ecstasy) and cinematography comes courtesy of Milton R. Krasner (Academy Award winner Best Colour Cinematography for Three Coins in the Fountain 1955).
Following straight on from The Robe, Demetrius and the Gladiators is a safe and enjoyable Biblical picture that doesn't outstay its welcome. Running at just over 100 minutes, the film is far from being epic in its telling. However, and without cramming in, it does contain all the necessary ingredients to make up a sweaty sword and sandals pie. Filmed in CinemaScope it has a persecuted hero, a bonkers villain, a sexy babe, huge sets, colourful costumes and fights, lots of fights. Thankfully the serious dialogue is mostly kept brief, as there a few things worse in this genre of film than bloated discourse on religious beliefs and political dalliances. Just get in there, let us know what is going on, and move on to the next chapter of the story. This is something that Daves' film does very well, it has an eagerness to entertain with dots of gusto and sexual swagger. The acting is mixed, Mature is solid without ever really convincing as the heroic figure of Demetrius, Hayward and Robinson are camping it up and thus entertain royally, while Borgnine and Rennie earn their respective pay.
Very much like another Phillip Dunne screenplay genre piece, David And Bathsheba, this one is often overlooked or forgotten in discussion about the sword & sandals genre. That both films are not in the same league as the likes of Ben-Hur and Spartacus is a given, but both have much to offer the discerning cinephile. So this one is recommended Sunday afternoon fare with a flagon of claret and a roast ox dinner. 7/10
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