A scientific expedition searching for fossils along the Amazon River discovers a prehistoric Gill-Man in the legendary Black Lagoon. The explorers capture the mysterious creature, but it breaks free. The Gill-Man returns to kidnap the lovely Kay, fiancée of one in the expedition, with whom it has fallen in love.Written by
Marty McKee <email@example.com>
The famous Creature theme music was composed uncredited by Universal staff composer Herman Stein. When the score was recorded by the Radio Symphony Orchestra of Slovakia in 2000, the CD notes included both a photo of Stein and a blow-up of his original Creature manuscript. Stein, who also composed the music for Julie Adams swimming, contributed some 12 minutes of the score, whilst his Universal staff colleagues Henry Mancini and Hans J. Salter contributed 12 minutes and 16 minutes respectively. A further 9 minutes were provided by the Universal stock music library. See more »
The tributary is said to "end" in a closed-off lagoon due to a geological event. All tributaries by definition end by emptying into another river. See more »
In the beginning, God created the heaven and the earth. And the Earth was without form and void. This the planet Earth, newly born and and cooling rapidly from a temperature 6,000 degrees to a few hundred in less than 5 billion years. Heat rises, meets the atmosphere, the clouds form, and rain pours down upon the hardening surface for countless centuries. The restless seas rise, find boundaries, are contained. Now, in their warm depths, the miracle of life begins. In infinite ...
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Unlike other sci-fi flicks from the 1950s, "Creature From The Black Lagoon" is not a film to laugh at. It's better made. Just by the title we know there's a monster lurking about. Yet, for the film's first 24 minutes we don't actually see it, only one of its claws. And that holding back of the monster's appearance fosters suspense and mystery. In addition, the film's B&W cinematography is good, for its time, with lots of credible underwater shots. And while the dialogue does contain lots of exposition, the film at least tries to educate viewers.
There's nothing complex about the story. A scientific crew heads for the Amazon to do an archaeological dig, after a large fossil is found. The crew ends up at the Black Lagoon, a place of serenity, with its still waters, surrounded by palm trees and the sounds of monkeys and exotic birds. Through much of the film the peaceful setting together with soothing background music actually makes for a rather relaxing movie. Even when we see the monster, it seems lonely and hardly threatening as it glides gracefully through its watery home.
I suspect that the film's popularity when it was first released relates to the creature's distinctive appearance, with those moving gills and those bulging dark eyes. And of course, back in those days, the film was made for 3-D viewing, a novelty then that made the monster seem more real. Today, the film has an ever-so-slight environmental theme, given that at least one of the scientists prefers that the monster not be harmed, and given that humans obviously are encroaching into its habitat.
Because so much of the plot takes place underwater and therefore lacks dialogue, and given a runtime of only about 78 minutes, there really isn't that much to this movie. But what there is of it is interesting for its historical significance as a precursor to later sci-fi films, and for a monster that's not only photogenic but also alone and arguably lonely in a world that has passed it by, after eons of time.
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