Carmen Jones (1954)

Contemporary version of the Bizet opera, with new lyrics and an African-American cast.

Director:

Otto Preminger

Writers:

Oscar Hammerstein II (book) (as Oscar Hammerstein 2nd), Harry Kleiner (screenplay)

Stars:

Harry Belafonte, Dorothy Dandridge, Pearl Bailey

Nominated for 2 Oscars. Another 5 wins & 6 nominations.

Cast

Complete credited cast:
Harry Belafonte	...	Joe
Dorothy Dandridge	...	Carmen Jones
Pearl Bailey	...	Frankie
Olga James	...	Cindy Lou
Joe Adams	...	Husky Miller
Brock Peters	...	Sergeant Brown (as Broc Peters)
Roy Glenn	...	Rum Daniels
Nick Stewart	...	Dink Franklin
Diahann Carroll	...	Myrt
LeVern Hutcherson	...	Joe (voice) (as Le Vern Hutcherson)
Marilyn Horne	...	Carmen Jones (voice) (as Marilynn Horne)
Marvin Hayes	...	Husky Miller (voice)

Storyline

At an all-black army camp, civilian parachute maker and "hot bundle" Carmen Jones is desired by many of the men. Naturally, she wants Joe, who's engaged to sweet Cindy Lou and about to go into pilot training for the Korean War. Going after him, she succeeds only in getting him into the stockade. While she awaits his release, trouble approaches for both of them. Songs from the Bizet opera with modernized lyrics.

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Plot Keywords:

strong female character | african american | desertion | boxer | two word title | 

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Genres:

Drama | Musical | Romance

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

28 October 1954 (USA)

Also Known As:

Oscar Hammerstein's Carmen Jones

Filming Locations:

Southern Pacific railroad crossing at 8746 E Los Angeles Avenue, aka California Highway 118, Moorpark, California, USA

Box Office

Budget:

$750,000 (estimated)

Company Credits

Production Co:

Otto Preminger Films

Technical Specs

Runtime:

105 min

Sound Mix:

4-Track Stereo (Western Electric Recording) (magnetic prints) Mono (optical prints)

Color:

Color

Aspect Ratio:

2.55 : 1

Did You Know?

Trivia

Filming commenced on 30 June 1954 and wrapped up in early August. The soundtrack for the film was recorded at 20th Century Fox Studios beginning on 18 June 1954 and continuing for several weeks.

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Goofs

Not all of the Soundtrack Credits are listed.

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Quotes

Carmen Jones: 'Scuse my dust, gentlemen. The air's gettin' mighty unconditioned 'round here.

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Crazy Credits

The opening credits and end title are set around a flaming rose.

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Connections

Version of Carmen (1913)

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Soundtracks

FINAL DUET
(uncredited)
Music by Georges Bizet
Lyrics Oscar Hammerstein II
Based on "Duet and Final Chorus"
Performed by Harry Belafonte (dubbed by LeVern Hutcherson (as Le Vern Hutcherson)) and Dorothy Dandridge (dubbed by Marilyn Horne (as Marilynn Horne))

User Reviews

One of the classics of African-American cinema

This film shows just how much talent existed and was mostly unused because of the small number of pictures made with African-American casts during the Golden Age of Hollywood.

It's a remake of Bizet's "Carmen", and was originally performed on Broadway in the 1940's. Otto Preminger filmed the play during the 1950's. The songs all retain Bizet's original music, but the lyrics have been updated to English. If you've never seen the opera, and are intimidated by opera in general, this film would actually be a good introduction to the topic.

The plot is moved from a Spanish village during the late 1800's to the American South during WWII. The cigarette factory is now a parachute factory, and the bullfighter is now a prize fighter. Generally, I thought the update was done well, just as some Shakespearean updates work well. The only part which doesn't work for me is that some of the dialogue and lyrics are in what I think of as "Porgy and Bess Ebonics", e.g. "dees", "dem", "dat", etc.

Carmen is played by Dorothy Dandridge, who is known as the African-American Marilyn Monroe. The two women's lives sadly parallel each other, although Dandridge could find even fewer scripts to show off her acting talents. Harry Belafonte plays the seduced male lead. Both are stunning beautiful, and at their prime.

All of the singing voices are dubbed by first rank operatic voices; the songs for Carmen Jones are dubbed by Marilyn Horne, for example.

The tragedy is realizing how many great actors and actresses could have had brilliant careers except for their skin color. It was interesting and sad to watch the Movietone Newsreel coverage of the premiere, which came attached to the copy of the tape I had. It features all of the white movie stars attending the premiere, the white studio heads -- and just happens to have a second or two of Harry Belafonte and Dorothy Dandridge at the end.