Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rash&... See full summary »
Americans Tommy Albright and Jeff Douglas, on a hunting vacation in Scotland, discover a quaint and beautiful village, Brigadoon. Strangely, the village is not on any map, and soon Tommy and Jeff find out why: Brigadoon is an enchanted place. It appears once every hundred years for one day, then disappears back into the mists of time, to wake up to its next day a century hence. When Tommy falls in love with Fiona, a girl of the village, he realizes that she can never be part of his life back in America. Can he be part of hers in Brigadoon? Written by
Jim Beaver <firstname.lastname@example.org>
"Brigadoon" opened at the Ziegfeld Theater on March 13, 1947, and ran for 581 performances. See more »
When talking to Mr. Lundie, Tommy says that they are from New York, which was renamed from New Amsterdam, after Mr. Lundie seems not to understand the location. New Amsterdam was renamed New York in 1664, 90 years prior to the events of the film. This would have been common knowledge, making Tommy's explanation unnecessary, as well as Mr. Lundie's reaction ridiculous. See more »
"Brigadoon" is really one of the best musicals ever made, a stunning blend of remarkable music with an unbeatable story. This movie *had* to be popular at some point-- what ever happened?! Nobody even knows it exists anymore! Wait a minute... this is sounding very familiar. Lerner and Loewe's disappearing-village fable expertly combines the mysticism of the Scottish Highlands with the unbreakable dancing chops of Gene Kelly and Cyd Charisse. It is an explosion of sound, color, and (a tolerable level of) emotion. And as a Scotsman, something makes me connect to the blaring bagpipes and the fantastically well-done accents, not to mention the glorious costumes and phenomenal sets. This is the movie musical as it was originally intended, a fascinating mixture of tunes and story, of fantasy and realism, of words and the things better left unsaid. This is a lambasted masterpiece and deserves recognition for what it is: very near to the perfection many better-known copycats claim is their own (I'm talking to you, "Sound of Music" and "West Side Story").
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