A group of agents in the U.S. Office of Strategic Services (forerunner of the C.I.A.) are sent to France, during World War II, to knock out the French railroad system and, in accomplishing ... See full summary »
As a blacksmith John can't hope to win the hand of Linet, daughter of the Earl of Yeonil. Off he goes to prove himself a noble knight. He makes himself a suit of armor with a winged chicken helmet and runs around fighting for King Arthur as the Black Knight. Evil doings include plots by visiting kings and a Druid sacrificial ceremony at Stonehenge.Written by
Ed Stephan <firstname.lastname@example.org>
Opening credits: Any resemblance of characters in this story to any persons living or dead is purely coincidental. See more »
In the battle at the church, when the stair and balcony railings are on fire, a combatant is knocked through a balcony railing and it breaks cleanly, revealing a straight sawed cut nearly all the way through it. See more »
Opening credits prologue: The Earl of Yeonil's Castle. See more »
OK this is supposed to be a kiddie matinée flick but its appallingly bad, even for medieval sword movies. Apart from the obvious anachronisms which one can probably accept in a fantasy (a saracen at king arthur's court and a viking/druid/saracen alliance) we have two things that lift it to the very highest of bad movie standards: (a) an awful lot of the action scenes appear to be stock footage from another film, possibly a Spanish one given that the backgrounds don't look like England at all. It looks as if the plot was fitted around this hence the whole druid sacrifice scene which makes no sense at all in the film's context. All of the shoddy action staging commented upon by other reviewers seems to result from trying to fit new footage to this stock footage. As a result, much of the action makes no sense at all and there are continuity errors galore. The brunette Medina gets fitted with a blonde wig in her druid sacrifice scene so that she'll match with the long shots of the stock footage (obviously a male stunt man in drag)!! (b) Alan Ladd's performance is simply abysmal. He can't act at all and for many scenes he is obviously doubled and you see his double's face several times. Ladd can't even convincingly cut a presence here and just looks awkward - the pint sized star just doesn't have the physical presence that the likes of Errols Flynn (or even Tony Curtis) could give to a role like this.
11 of 19 people found this review helpful.
Was this review helpful to you?
| Report this