These schoolgirls are more interested in racing forms than books as they try to get-rich-quick. They are abetted by the head-mistress' brother, played by Alastair Sim, who also plays the head-mistress.
The arrival of Sultan's daughter Princess Fatima at England's famous and prestigious 'School for Young Ladies' precipitates even more chaos than usual. Her father's horse Arab Boy is due to run at the nearby Gold Cup so Clarence Fitton, bookie brother of headmistress Millicent, ensures his own daughter is on hand to report progress. At the same time Barchester police have planted sergeant Ruby Gates as a teacher, and the Ministry of Education are sending a third inspector down after the previous two disappeared without trace.Written by
Jeremy Perkins <email@example.com>
The St Trinian's film series, in which a rowdy crowd of girls, their drunken and appalling teachers, and their 'refined' headmistress (played by a man, natch), remain high in any league table of Britain's comedy moments.
In a cast headed by the superb Alistair Sim (Miss Fritton, the headmistress; and her brother, race shark Clarence) we also find Joyce Grenfell as a policewoman joining the staff undercover (and no one was better than Grenfell at this jolly hockey kind of stuff), Beryl Reid as a mannish, drunken chemistry teacher, Hermoine Baddeley and Irene Handl as memorably unsuitable members of staff, George Cole as 'flash' Harry, an odd-job man who deals with the export of the St Trinian's bathtub gin and places racing bets for the girls, and the incomparable Richard Wattis as a harassed Ministry of Education inspector.
The girls themselves include some memorable turns - Vivienne Martin as chain-smoking Bella, Belinda Lee as horny Amanda, also Barbara Windsor and Carol White are somewhere in there.
The plot revolves around a race horse, Arab Boy, who ends up in the fourth-former's dormitory; a side plot involves missing Ministers of Education, who have become part of the staff as 'the Lotus Eaters'.
Probably the funniest of the series, this film is fast-paced, furious, with some violent 'old girls', some wonderful set-pieces, and a nice script from Launder and Gilliat.
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