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The Barefoot Contessa (1954)

At Maria Vargas' funeral, several people recall who she was and the impact she had on them. Harry Dawes was a not very successful writer/director when he and movie producer Kirk Edwards ... See full summary »
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Won 1 Oscar. Another 1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Humphrey Bogart ... Harry Dawes
Ava Gardner ... Maria Vargas
Edmond O'Brien ... Oscar Muldoon
Marius Goring ... Alberto Bravano
Valentina Cortese ... Eleanora Torlato-Favrini (as Valentina Cortesa)
Rossano Brazzi ... Count Vincenzo Torlato-Favrini
Elizabeth Sellars ... Jerry
Warren Stevens ... Kirk Edwards
Franco Interlenghi ... Pedro Vargas
Mari Aldon ... Myrna
Alberto Rabagliati Alberto Rabagliati ... Proprietor
Enzo Staiola ... Busboy
Maria Zanoli Maria Zanoli ... Maria's Mother
Renato Chiantoni ... Maria's Father
Bill Fraser Bill Fraser ... J. Montague Brown
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Storyline

At Maria Vargas' funeral, several people recall who she was and the impact she had on them. Harry Dawes was a not very successful writer/director when he and movie producer Kirk Edwards scouted her at a shabby nightclub where she worked as a flamenco dancer. He convinces her to take a chance on acting and her first film is a huge hit. PR man Oscar Muldoon remembers when Maria was in court supporting her father who was accused of murdering her mother. It was Maria's testimony that got him off and she was a bigger star than ever. Alberto Bravano, one of the richest men in South America, sets his sights on Maria and she goes off with him - as much to make Edwards angry as anything - but he treats her badly. When she meets Count Vincenzo Torlato-Favrini they fall deeply in love. They are married but theirs is not to be a happy life. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

A girl with many ideas . . . and a man for each ! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

USA | Italy

Language:

English | Spanish | Italian

Release Date:

29 September 1954 (USA) See more »

Also Known As:

Die barfüßige Gräfin See more »

Company Credits

Production Co:

Transoceanic Film,Figaro See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (dvd release) (TCM print)

Sound Mix:

Mono (Perspecta Sound encoding) (Western Electric Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.75 : 1
See full technical specs »
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Did You Know?

Trivia

The statue of Ava Gardner used in the film was by Bulgarian artist Assen Peikov. After the film Frank Sinatra bought the statue and installed it in the garden of his Coldwater Canyon home. See more »

Goofs

Harry addresses Maria's dressing room with a lit cigarette in his right hand. In the next shot the cigarette is in his mouth. See more »

Quotes

Maria Vargas: Can you teach me to act?
Harry Dawes: If you can act, I can help you. If you can't nobody can teach you.
See more »

Connections

Referenced in Stars of the Silver Screen: Rita Hayworth (2011) See more »

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User Reviews

 
Down and out in Hollywood, Rome and the Riviera
10 December 2012 | by cowboyandvampireSee all my reviews

When a movie opens with the funeral of the main character, you know you are in for a long, sad ride. Really long, in this case – the movie clocks in at two hours. With the inevitability of a tragic death fixed at the opening, it's hard not to see the entire film through filter of sadness.

The Barefoot Contessa follows the rise, perpetual dissatisfaction and demise of a beautiful, charismatic Maria Vargas, a young Spanish woman played by Ava Gardner. A powerful wall street type turned movie backer wants her to be the new face and visits her in her small village, dragging along a PR man, the director and washed up actress. There are two narrators – a little confusing at times – but most of the movie is relayed from the perspective of Humphrey Bogart, a sad sack, world weary writer/director (in a mythical time when writers were as famous as the stars). He was great, as always, and Gardner was good but lacked oomph for someone supposedly able to set the world on fire.

I think that was due mainly to the direction, she wasn't allowed to sparkle; quite the opposite, she was prohibited from shining. The odd thing about the movie is how much of her action happened off screen. When Hollywood arrives in her village to see her dance, we only see her hands clicking castanets. When she has a screen test which dazzles jaded directors and, we don't see it. When she makes three movies, we never see her on set or even get a hint of what she was like in the movies. When she rises to the top of the celebrity mountain with legions of adoring fans, we don't see them or even understand why. In fact, all she really does is mope around and wait for her demise. The only time she is allowed to partially captivate is during an odd scene where she hand-dances at a Gypsy camp.

It must have been intentional, and added to the doomed mood throughout. Instead of the details, instead of watching a small town girl lose her innocence (though she always seemed quite confident, self-possessed and resigned to her fate) we see the outcomes -- cruel people growing crueler, the dehumanizing effect of fame and redemption for a few characters (Bogart's character finds true love after three marriages and manages to kick the booze habit for good). Mostly we see barefoot Ava, drifting through life, never able to let herself be happy, or fall in love, or enjoy success, or even laugh. And we are never really able to understand why. The opening shot shows that she is doomed and I was never able to shake that inevitability throughout.

Still well worth the time.

-- www.cowboyandvampire.come --


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