Three navy men run into a shady producer who convinces them to invest into his new show. When they meet the show's female star attraction, they're sold. Have they become the latest showbiz players or just three more suckers?
Sailor Danny Xavier Smith and two other gobs try to save his sister Susan's virtue. She wants to get a role in the show "Hit the Deck". After wrecking the producers hotel suite, they land ... See full summary »
Soldier Johnny Grey is engaged to marry singer Mapy Cortes, but his plans go awry when he learns that he is the heir to $100,000 from his great-grandfather -- a bequest that comes with a ... See full summary »
Dodie dreams of marrying a millionaire so that she can live 'the life'. Buzz, her boyfriend, however is not rich as he is a salesman for a housing development. He proposes and Dodie accepts... See full summary »
Ad-agency president Dan Edwards who, when he goes to Mexico to celebrate his nineteenth wedding anniversary, winds up getting divorced by mistake - whereupon his wife Valerie marries his ... See full summary »
A business tycoon decides to wed a Middle Eastern princess whose customs dictate the pair must live apart for several months before marrying; even more complications settle in when the tycoon's ex-fiancée is assigned to chaperone the pair.
Attorney, Purdom, and singer, Damone, romance two sisters, Reynolds and Powell, who live with and are strongly influenced by eccentric, health oriented and star gazing grandparents.Written by
Even as late as 1954, Hollywood actors - in their shirtless scenes - generally wore their pants or bathing suits or loincloths high enough to cover their navels. In the Mr. Universe contest toward the end of this movie, the contestants wear snug-fitting, low-rising bathing suits which reveal several inches of skin below the navel. At the time, this must have been considered something of a "breakthrough." See more »
When Johnny offers Athena a lift back to her family's store rather than having her walk back, lack of shadows indicates it right around noon - yet it dark when they finally arrive at store, meaning the car ride has taken six or seven hours. See more »
Sparkling MGM musical. Jane Powell & Debbie Reynolds dazzle.
Unlike MGM's expensive, classic musicals of the 1950s, the modest, light-hearted but equally delicious "Athena" has been all-but-forgotten. A shame, because this lilting, lively melodious lark is not only a wryly amusing satire on an eccentric family of health-food nutritionists/numerologists, but, most importantly, a dazzling showcase for some of the most tuneful musical numbers to grace any film of its era. The score, by Ralph Martin and Hugh Blane (of "Meet Me in St. Louis" fame), offers such treats as Jane Powell singing the poignant, haunting ballad "Love Can Change the Stars" (which should have become a popular hit); Powell, Debbie Reynolds and their 5 sisters performing a breathtakingly energetic, knockout song-and-dance production number "I Never Felt Better"; and Ms. Powell (never more bewitchingly alluring) setting off vocal fireworks with her superb rendition of Donizetti's "Chacun Le Sait" from the operetta "Daughter of the Regiment." The plot, wherein Powell & Ms. Reynolds defie their nutritionist fanatic grandfather's (a delightful Louis Calhern) dictums by falling in love with, respectively, Edmund Purdom and Vic Damone (two carnivores with the wrong "signs") is decades ahead of its time in its wise, gentle and good-humored satire of life-styles and fads (culminating in a body-builder contest where one of Calhern's proteges is Steve Reeves, who would a mere 4 years later attain international screen stardom as "Hercules"). Amusing as it is, the plot rightfully takes second-place to the wondrous cast of MGM's most gifted young musical talents of the day--in their full vocal and dancing glory captured in glistening pasteled Technicolor. (Sadly, they were all soon to be given their walking papers when Television became the new national rage, and the first of the terrified studio's contract players to be dismissed were the stars of its taken-for-granted musicals. Indeed, Powell, Reynolds and Damone would co-star in only one more MGM songfest, "Hit the Deck"--as warm, charming, and tuneful as "Athena"--as well as a boxoffice disappointment.) Meanwhile, tune in "Athena" the next time TCM shows it--and don't be surprised if, weeks later, you find yourself humming, whistling or singing Ms. Powell's glorious delivery of what is perhaps this delectable movie's most rousing, catchy tune--the zesty, jubilant "Vocalize"!
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