Apache (1954) - News Poster



Body Politics: Burt Lancaster and "The Swimmer"

Burt Lancaster in Frank and Eleanor Perry's The Swimmer (1968), based upon the John Cheever short story. Courtesy of Film Forum.For decades, film critics and academics interested in the classical Hollywood cinema have been dutifully studying the canonized big stars—Cary Grant, Garbo, the Hepburns, Bogart and Bacall, Dietrich and Crawford and Monroe—while downplaying one of the most highly varied and fascinating careers of any studio actor: Burt Lancaster. Now, New York’s Film Forum is giving us a great excuse to revisit this actor’s towering body of work—emphasis on “body.” From big-name classics like Louis Malle’s Atlantic City (1980) and John Frankenheimer’s Birdman of Alcatraz (1962) to little-known masterpieces like Carol Reed’s Trapeze (1956) and Luchino Visconti’s late decadent chamber drama Conversation Piece (1974), a meaty, healthy range of Burt is on display for the next four weeks, between July 19 to August 15.Serious film talk
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Ulzana’s Raid

Blu-ray fans are now well aware that many great movies unavailable in the U.S., can be easily found in Europe. One of the best westerns of the ’70s is this jarringly realistic cavalry vs. Apaches drama from Robert Aldrich and Burt Lancaster, which used the ‘R’ rating to show savage details that Hollywood had once avoided. In this case it works — the genuinely scary movie is also a serious meditation on violent America.

Ulzana’s Raid

(Keine Gnade für Ulzana)

All-region Blu-ray + Pal DVD

Explosive Media

1972 / Color / 1:85 widescreen / 103 min. / Street Date November 9, 2017 / available through the Amazon Germany website / Eur 17,99

Starring: Burt Lancaster, Richard Jaeckel, Bruce Davison, Jorge Luke, Joaquín Martínez, Lloyd Bochner, Karl Swenson, Douglass Watson, Dran Hamilton, Gladys Holland, Aimee Eccles, Tony Epper, Nick Cravat, Richard Farnsworth, Dean Smith.

Cinematography: Joseph Biroc

Film Editor: Michael Luciano

Original Music: Frank De Vol

Written by Alan Sharp

Produced by
See full article at Trailers from Hell »

The Promise of Recovery: Close-Up on Robert Aldrich’s "Autumn Leaves"

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Close-Up is a feature that spotlights films now playing on Mubi. Robert Aldrich's Autumn Leaves (1956) is playing October 22 - November 21, 2017 on Mubi in the United Kingdom. Autumn Leaves is the story of what happens to a Robert Aldrich hero after the Robert Aldrich movie ends. Vicious, cynical, and borderline nihilistic, Aldrich’s movies churned idealistic characters through crucibles of violence and disillusionment. He adored stories of marginalized nobodies forced to face impossible odds: murderers-turned-World War Two commandos in The Dirty Dozen (1967); desperate Chiricahua Apache raiders in Ulzana’s Raid (1972); a football team of prison inmates in The Longest Yard (1974); escaped military prisoners in Twilight’s Last Gleaming (1977). For these men—and they were usually men—death was one of the kindest fates possible. Existential meaninglessness, the pointlessness of moral causes, the uselessness of idealism: these were the fates they truly feared. And for Aldrich, these were the just rewards
See full article at MUBI »

16mm Double Feature Night at The Way Out Club March 7th – Arthur and Chato’S Land

Join us for some old-school 16mm Movie Madness! – It’s our monthly 16Mm Double Feature Night at The Way Out Club (2525 Jefferson Avenue in St. Louis)! Join Tom Stockman and Roger from “Roger’s Reels’ for complete films projected on 16mm film. The show is Tuesday March 7th and starts at 8pm.

Admission is Free though we will be setting out a jar to take donations for the National Children’s Cancer Society.

First up Is Arthur (1981)

Dudley Moore’s (Oscar-nominated) greatest performance carries the heart-warming romantic comedy Arthur (1981) about a ridiculously wealthy man who does what he wants whenever he wishes, but lacks the happiness he craves. Arthur’s life looks up though when he meets waitress Linda (Liza Minnelli), but he’s already engaged to the rich Susan (Jill Eikenberry) so that’s a major problem since his rich granny threatens to cut him out of the will.
See full article at WeAreMovieGeeks.com »

The Angry Hills

Robert Mitchum all but snoozes through this promising war-espionage thriller that pits lazy Gestapo agents against clueless partisans in occupied Greece. It's got great locations and a good cast, but director Robert Aldrich seems off his feed -- there's not a lot of excitement to be had. The Angry Hills DVD-r The Warner Archive Collection 1959 / B&W / 2:35 enhanced widescreen / 106 min. / Street Date February 16, 2016 / available through the WBshop / 21.99 Starring Robert Mitchum, Stanley Baker, Elisabeth Mueller, Gia Scala, Theodore Bikel, Sebastian Cabot, Donald Wolfit, Marius Goring, Jocelyn Lane, Kieron Moore, George Pastell, Marita Constantinou, Alec Mango. Cinematography Stephen Dade Film Editor Peter Tanner Production Design Ken Adam Original Music Richard Rodney Bennett Written by A.I. Bezzerides from the novel by Leon Uris Produced by Raymond Stross Directed by Robert Aldrich

Reviewed by Glenn Erickson

Director Robert Aldrich had come through with successes for Burt Lancaster's production company (Apache, Vera Cruz
See full article at Trailers from Hell »

Special Guest Column – DVD Savant at Tfh

We want to take a moment and welcome the DVD Savant himself, Glenn Erickson, to our guest blog. Glenn's critical and technical insights make him unique in the vast sea of movie reviewers and we couldn't be happier that he's sharing the wealth here at Tfh. Enjoy!

Mad Max: Fury Road 3-D Blu-ray, 2-D Blu-ray, DVD, Digital HD

Savant Review

Mad Max: Fury Road 3-D Blu-ray, 2-D Blu-ray, DVD, Digital HD Warner Home Video 2015 / Color / 2:35 widescreen / 120 min. / Street Date March 24, 2015 / 44.95 Starring Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, Josh Helman, Nathan Jones, Zoöe Kravitz, Rosie Huntington-Whiteley, Riley Keough, Abbey Lee, Courtney Eaton, John Howard, Richard Carter, Iota, Angus Sampson, Jennifer Hagan, Megan Gale, Melissa Jaffer. Cinematography John Seale Editor Margaret Sixel Original Music Tom Holkenborg Written by George Miller, Brendan McCarthy, Nick Lathouris Produced by George Miller, Doug Mitchell, P.J. Voten Directed by
See full article at Trailers from Hell »

Trailers from Hell: John Landis on Michael Winner's Vietnam-Era Western 'Chato's Land,' Starring Charles Bronson

Trailers from Hell: John Landis on Michael Winner's Vietnam-Era Western 'Chato's Land,' Starring Charles Bronson
Way Out Westerns! continues at Trailers from Hell, with John Landis introducing "Chato's Land," Michael Winner’s cynical, violent Vietnam-era western pits stoic lone Apache Charles Bronson against a colorful posse of rapists and murderers led by Jack Palance and a really good cast. “The scream of his victims is the only sound he makes!” was the ad line. Tfh Guru Landis was actually there on the set to provide belated reportage.
See full article at Thompson on Hollywood »

Director & Actor Teams: The Overlooked & Underrated (Part 1 of 2)

Cinema is a kind of uber-art form that’s made up of a multitude of other forms of art including writing, directing, acting, drawing, design, photography and fashion. As such, film is, as all cinema aficionados know, a highly collaborative venture.

One of the most consistently fascinating collaborations in cinema is that of the director and actor.

This article will examine some of the great director & actor teams. It’s important to note that this piece is not intended as a film history survey detailing all the generally revered collaborations.

There is a wealth of information and study available on such duos as John Ford & John Wayne, Howard Hawks & John Wayne, Elia Kazan & Marlon Brando, Akira Kurosawa & Toshiro Mifune, Alfred Hitchcock & James Stewart, Ingmar Bergman & Max Von Sydow, Federico Fellini & Giulietta Masina/Marcello Mastroianni, Billy Wilder & Jack Lemmon, Francis Ford Coppola & Al Pacino, Woody Allen & Diane Keaton, Martin Scorsese & Robert DeNiro
See full article at SoundOnSight »

Lead Actors: The Overlooked and Underrated

This article is dedicated to Andrew Copp: filmmaker, film writer, artist and close friend who passed away on January 19, 2013. You are loved and missed, brother.


Looking at the Best Actor Academy Award nominations for the film year 2012, the one miss that clearly cries out for more attention is Liam Neeson’s powerful performance in Joe Carnahan’s excellent survival film The Grey, easily one of the best roles of Neeson’s career.

In Neeson’s case, his lack of a nomination was a case of neglect similar to the Albert Brooks snub in the Best Supporting Actor category for the film year 2011 for Drive(Nicolas Winding Refn, USA).

Along with negligence, other factors commonly prevent outstanding lead acting performances from getting the kind of critical attention they deserve. Sometimes it’s that the performance is in a film not considered “Oscar material” or even worthy of any substantial critical attention.
See full article at SoundOnSight »

Alan Sharp obituary

Swashbuckling screenwriter behind Rob Roy, Ulzana's Raid and Night Moves

Alan Sharp, who has died of brain cancer aged 79, once claimed that as a screenwriter he was most interested in "moral ambiguity, mixed motives and irony", all of which are applicable to two of his best movies, the western Ulzana's Raid (1972), directed by Robert Aldrich, and the thriller Night Moves (1975), directed by Arthur Penn. Most of his screenplays were written in the 1970s and reflect the era in which America was suffering the effects of the Vietnam war and post-Watergate paranoia. This goes some way to explaining the bleakness and cynical sense of destiny in Sharp's films, which he called "existential melodramas".

He was born in Alyth, near Dundee. Although the majority of his scripts were set in the Us, where he lived for many years, Scotland remained pre-eminent in his character and culture. His script for Rob Roy (1995), a
See full article at The Guardian - Film News »

Movie Poster of the Week: Billy Wilder’s “Love in the Afternoon” and the Posters of Wojciech Fangor

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Above: 1959 poster for Love in the Afternoon (Billy Wilder, USA, 1957).

I’ve always loved this Polish poster for Billy Wilder’s Love in the Afternoon, with its ethereal collage of photography and daubs of paint (not to mention perfectly tasteful type), and I knew that its designer, Wojciech Fangor, had designed a number of other posters in a similar style. But until I started looking into him for Movie Poster of the Week, I had no idea that he is one of Poland’s pre-eminent artists and is still alive and well at the age of 90. Not only that, but he is currently being fêted with a major exhibition, titled Space as a Game, at the National Museum in Krakow (it closes tomorrow if you’re lucky enough to be in the vicinity).

Born in 1922, Fangor was reared on the paintings of Picasso, Matisse and Léger that he would see
See full article at MUBI »

“They’re Blowin’ This Town All To Hell!” — Sam Peckinpah And ‘The Wild Bunch’

Curiously, with all the bold, ambitious, fresh talent storming into Hollywood in the 1960s/1970s – directors who’d cut their teeth in TV like Sidney Lumet and John Frankenheimer; imports like Roman Polanski and Peter Yates; the first wave of film school “film brats” like Francis Ford Coppola and Martin Scorsese — one of the most popular genres during the period was one of Old Hollywood’s most traditional: the Western. But the Western often wrought at the hands of that new generation of moviemakers was rarely traditional.

During the Old Hollywood era, Westerns typically had been B-caliber productions, most of them favoring gunfights and barroom brawls over dramatic substance, and nearly all adhering to Western tropes which ran back to the pre-cinema days of dime novelist Ned Buntline. With the 1960s, however, the genre began to change; or, more accurately, expand, twist, and even invert.

To be sure, there would
See full article at SoundOnSight »

Nine Overlooked Classic Westerns

The Western was a movie staple for decades. It seemed the genre that would never die, feeding the fantasies of one generation after another of young boys who galloped around their backyards, playgrounds, and brick streets on broomsticks, banging away with their Mattel cap pistols. Something about a man on a horse set against the boundless wastes of Monument Valley, the crackle of saddle leather, two men facing off in a dusty street under the noon sun connected with the free spirit in every kid.

The American movie – a celluloid telling that was more than a skit – was born in a Western: Edwin S. Porter’s 11- minute The Great Train Robbery (1903). Thereafter, Westerns grew longer, they grew more complex. The West – hostile, endless, civilization barely maintaining a toehold against the elements, hostile natives, and robber barons – proved an infinitely plastic setting. In a place with no law, and where
See full article at SoundOnSight »

Comic Book Release List – Week of January 2, 2013

The following is a list of all comic books, graphic novels and special items that will be available this week and shipped to comic book stores who have placed orders for them.

12-gauge Comics

Anti #3 (Of 4), $3.99

Aam Markosia

Christmas Carol Gn, $12.99

All Star U Gn, $18.99

Amaze Ink (Slave Labor Graphics)

Malleus Maleficarum A Guide To Catching Witches Gn (resolicited), $12.95

Amryl Entertainment

Cavewoman 2012 Pittsburgh Comicon Signed Sketchbook, Ar

Andrews McMeel

Calvin And Hobbes Homicidal Psycho Jungle Cat Sc (New Printing), $16.99

Calvin And Hobbes Lazy Sunday Book Sc (New Printing), $12.99

Calvin And Hobbes Something Under The Bed Is Drooling Tp, $12.99

Calvin And Hobbes Sunday Pages 1985 -1995 Sc (New Printing), $16.99

Calvin And Hobbes Tenth Anniversary Book Tp (New Printing), $16.99

Calvin And Hobbes The Revenge Of The Baby-Sat Tp (New Printing), $12.99

Indispensable Calvin And Hobbes Sc (New Printing), $18.99

Antarctic Press

Gearhearts Steampunk Glamor Revue #5, $3.99

Gold Digger #145, $3.99

Ape Entertainment

Donarr Unyielding Tp, $7.99

Archaia Entertainment

See full article at GeekRest »

Critic's Notebook: Why 'Johnny Guitar,' Now On Blu-ray, Deserves a Second Look

Critic's Notebook: Why 'Johnny Guitar,' Now On Blu-ray, Deserves a Second Look
"Was I dreaming or did I just see a bank held up?" asks Sterling Hayden during Nicholas Ray's sole Republic Studios directorial outing, "Johnny Guitar." The 1954 film, which arrives on blu-ray Tuesday as part of Olive Films' carefully curated home video cull of Paramount titles (Viacom absorbed the Republic catalog in the 90's) is paced with such unapologetic relentlessness that midway through the film its title character needs a reality check. The 1950's were the American western's greatest decade and 1954, which also included Robert Aldrich's "Apache" and "Vera Cruz," as well as Allen Dwan's "Silver Lode," was a banner year for revitalizing the genre with more accurate history, psychological nuance, cynicism and violence than had come before. On a superficial level the red dirt world of "Johnny Guitar" overlaps the plea for racial justice of "Apache," the treatise on mercenary...
See full article at Indiewire »

Daily Briefing. La Cava, Fulci, Franju

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Gregory La Cava and Irene Dunne

"An extraordinary movie is being screened at Anthology Film Archives [today] through Sunday," writes the New Yorker's Richard Brody: "Unfinished Business, a bitterly passionate romantic drama with a relentless comic tone, from 1941, starring Irene Dunne and Robert Montgomery and directed by Gregory La Cava. It's part of the ongoing series Stuck on the Second Tier: Underknown Auteurs, programmed by Miriam Bale, and you can't get it on home video." And it's "a minor masterwork of performance, direction, and screenwriting."

Unknown Auteurs is actually a set of series running at various locations in New York, with Anthology focusing on La Cava; the Film Society of Lincoln Center and the Museum of the Moving Image, for example, will have other editions soon, but for now, Michael Rawls has an overview of the La Cava selections in Cinespect and David Cairns wrote about Unfinished Business here in the Notebook yesterday.
See full article at MUBI »

Vera Cruz – The Blu Review

With a tag line claiming, “The Giants Battle in the Biggest Spectacle of Them All!,” director Robert Aldrich’s Vera Cruz first appeared in theaters in 1954 and now 56 years later, holds up well, especially in the new Blu-ray edition from MGM. The giants referred to were Burt Lancaster and Gary Cooper, two stars riding the top of the box-office at the time and actors with firmly established western credentials; Lancaster had just come off the hit Apache and Cooper the beloved High Noon. Vera Cruz, about a pair of post-Civil War mercenaries who travel to Mexico to fight in their revolution for money and hatch a scheme to steal three million dollars in gold, is sometimes called the “first spaghetti western,” because of its setting, excessive style, (for the time) graphic violence, and an antihero at the center of its action. Vera Cruz is an influential, action-packed adventure filled with
See full article at WeAreMovieGeeks.com »

DVD Playhouse--May 2011

DVD Playhouse: May 2011


Allen Gardner

Blow Out (Criterion) Brian De Palma’s greatest Hitchcock homage, with a dash of Antonioni thrown in for good measure. John Travolta gives one of his best turns as a sound-effects engineer who unwittingly records a political assassination, then finds himself hunted by a ruthless hitman (John Lithgow, a memorably creepy psycho) after saving the life of the kindly, albeit dim-witted call girl (Nancy Allen, excellent) who was with the deceased. Terrific blend of suspense and very black humor, perhaps De Palma’s finest hour as an auteur. Beautifully shot by Vilmos Zsigmond. Also available on Blu-ray disc. Bonuses: Interviews with De Palma, Allen, cameraman Garrett Brown; Photo gallery; De Palma’s 1967 feature Murder a la Mod; Trailer. Widescreen. Dolby and DTS-hd 2.0 surround.

Kes (Criterion) Ken Loach’s landmark 1970 film is both a heart-rending portrait of adolescence, and a pointed socio-political commentary on life in the North of England.
See full article at The Hollywood Interview »

Free film of the day: A black-hearted western starring Gregory Peck

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Two nights ago in Brooklyn, New York, the wonderful Bam cinematheque screened Gordon Douglas' 1951 film Only the Valiant in the series J. Hoberman: An Army of Phantoms, programmed by the Village Voice critic in honor of the publication of his new book.

The film, by a director with whom I have no familiarity, was quite a discovery: a dark, morose, low-budget Western (and crypto Korean War film) that stars Gregory Peck as a "valiant" cavalry officer who leads a ragtag group of miscreant soldiers and non-coms on a suicide mission to defend a strategic pass from the Apache. The story and atmosphere is absolutely post-WW2; there's both a nastiness of the soldiers (anticipating films by Robert Aldrich, including the somewhat similar The Dirty Dozen) which reflects the more cynical attitude towards war and violence of the era, as well as an abstraction to the cause and ideology of
See full article at MUBI »

Posters: Daniel Craig's Cowboys and Aliens and Jason Statham's The Mechanic

Today we have posters for the upcoming Daniel Craig's "Cowboys and Aliens" comic book adaptation and Jason Statham's "The Mechanic" remake. Check out both below. Cowboys and Aliens: In Silver City, Arizona, Apache Indians and Western settlers must lay their differences aside when an alien spaceship crash lands in their city. The movie stars Daniel Craig, Harrison Ford, Sam Rockwell and Olivia Wilde. It is scheduled to hit theaters on July 29th. The trailer is set to appear online on Wednesday (November 17th). The Mechanic: A remake of Charles Bronson's action film, the new movie Follows an elite hit man (Jason Statham) as he teaches his trade to an apprentice who has a connection to one of his previous victims. It is scheduled to hit theaters on January 28th. Watch trailer here. "Cowboys and Aliens" Poster: (click to enlarge) "The Mechanic" Poster: (click to enlarge)
See full article at Worst Previews »
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