In a month full of horror and malevolent covens and blood-curdling scares, I offer now the soothing respite of Hayao Miyazaki’s beautiful and serene Kiki’s Delivery Service. Possibly Miyazaki’s most under-appreciated film, it is surely his most modest, which I mean as a compliment. It is the epitome of Miyazaki’s quiet filmmaking, letting the soft emotion and warm aesthetics of the animation do most of the talking. The fact that Kiki is a witch is beside the point, because this is a coming-of-age story for a young girl committed to helping others but forgetting about herself.
Coming-of-age films for girls are rare enough as it is, and with Kiki’s Delivery Service coming as it did