I Vitelloni (1953)

A character study of five young men at crucial turning points in their lives in a small town in Italy.

Director:

Federico Fellini

Writers:

Federico Fellini (story), Ennio Flaiano (story) (as Ennio Flajano)

Stars:

Alberto Sordi, Franco Fabrizi, Franco Interlenghi

Nominated for 1 Oscar. Another 4 wins & 2 nominations.

Cast

Cast overview, first billed only:
Franco Interlenghi	...	Moraldo Rubini
Alberto Sordi	...	Alberto
Franco Fabrizi	...	Fausto Moretti
Leopoldo Trieste	...	Leopoldo Vannucci
Riccardo Fellini	...	Riccardo
Leonora Ruffo	...	Sandra Rubini (as Eleonora Ruffo)
Jean Brochard	...	Francesco Moretti
Claude Farell	...	Olga
Carlo Romano	...	Michele Curti
Enrico Viarisio	...	Signor Rubini
Paola Borboni	...	Signora Rubini
Lída Baarová	...	Giulia Curti (as Lida Baarowa)
Arlette Sauvage	...	La sconosciuta del cinema
Vira Silenti	...	Gisella
Maja Niles	...	Caterina (as Maja Nipora)

Storyline

Fausto Moretti, having seduced Sandra Rubini, the sister of his friend and companion Moraldo Rubini, is forced to marry her. After their honeymoon, he takes a job as a salesman of religious objects in a small shop. He isn't changed by his marriage and still looks for women, with his friends, when and where they can find them. He even tries to seduce the wife of his boss and is fired. After each episode, Sandra forgives him. He and his friends of similar temperament are content to be idle, chase girls and leave the work and job-hunting to others. After spending the night away from home with a girl, Sandra cannot forgive anymore and runs off with their child. Fausto and his friends search all over for them, fearing the worst.

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Plot Keywords:

italy | friend | girl | small town | religious object | 

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Taglines:

"We are the hollow men in this last of meeting places we grope together and avoid speech. Gathered on this beach of the torrid river." - used by permission from THE HOLLOW MEN by T.S. Eliot

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Genres:

Comedy | Drama

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Certificate:

Not Rated

Details

Country:

Italy France

Language:

Italian

Release Date:

7 November 1956 (USA)

Also Known As:

I Vitelloni

Filming Locations:

Piazza delle Erbe, Viterbo, Lazio, Italy

Box Office

Opening Weekend USA:

$14,790, 14 November 2003, Limited Release

Gross USA:

$97,944, 28 March 2004

Company Credits

Production Co:

Cité Films,Peg-Films

Technical Specs

Runtime:

107 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Trieste and co-star Sordi died a month apart in 2003, fifty years after release of film.

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Goofs

When Sandra is called up to receive the 'Miss Mermaid' sash, she is on the left of the screen, to the right of the compere. As the actress comes up to present the sash, Sandra is seen standing on the compere's left. But when the actress presents the sash, Sandra is back on the left, to the right of the compere.

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Quotes

Fausto Moretti: We all talked about leaving, but only one of us, one morning, without a word to a soul, actually left.

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Connections

Referenced in Vitellonismo (2004)

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Soundtracks

Io Cerco la Titina
(uncredited)
Traditional
Heard during the carnival

User Reviews

The interchangeability of gang members

I think that the only other user to have commented on this film may have missed some of the point. The actions of the characters are not hard to understand. Fausto is a womaniser because he does not take love and its attendant responsibilities seriously. Alberto and Riccardo booze and smoke and hang around because those are the roles designated to some men in adult gangs of this kind. Moraldo sees Fausto's womanising and is torn between loyalty to the camaraderie of the group and to his friend and love for his sister, resulting in him helping Fausto to protect Sandra from the truth.

With regards to the lack of character definition of the characters, I don't think that this should be seen as a problem. Their inability to escape the attraction of a casual life robs them of character and their love of the gang robs them of individuality. The interchangeability of their looks and the swapping of facial hair styles illustrates the dynamics of a gang - shared vocabulary, shared likes and dislikes, playing off each other.

I think that this is a perfect distillation of the aimless lives of adult males, unable to break away from the gang. Whether this is Fellini's best or not, it is a very affecting study of small-town ennui and male relationships.