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Title: Journey to Italy (1954)
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| Complete credited cast: | |||
| Ingrid Bergman | ... | Katherine Joyce | |
| George Sanders | ... | Alex Joyce | |
 |
Maria Mauban | ... | Marie (as Marie Mauban) |
| Anna Proclemer | ... | La prostituta | |
| Paul Muller | ... | Paul Dupont | |
|
|
Anthony La Penna | ... | Tony Burton (as Leslie Daniels) |
| Natalia Ray | ... | Natalie Burton (as Natalia Rai) | |
|
|
Jackie Frost | ... | Betty |
Married for eight years with no children, Brits Katherine and Alex Joyce are driving to Italy, their ultimate destination just outside of Naples to sell the villa they have just inherited from his uncle, the villa where they will be staying during their time there. On the drive, they come to the realization that this trip marks the first time that they have truly been alone together, and as such don't really know one another in the true sense. While in Italy, they end up mainly embarking on pursuits separate from each other - Katherine preferring the cultural, Alex preferring "company" including with some acquaintances they didn't know were in Naples until running into them on their first night in the city - and on the few occasions when they do spend time together, there is a tension and an underlying increasing want on both sides to hurt the other emotionally in their individual beliefs of what the other is thinking or has done in their time apart. As their marriage slowly falls ... Written by Huggo
A masterwork. Heeding Martin Scorsese's advice during his documentary MY VOYAGE TO ITALY, I was finally able to see an English language version of this film on a Brazilian DVD release and the experience was an exhilarating one. The story of a couple on the verge of destruction, surrounded by the vestiges of Pompeii and a view of Vesuvius, is at once real and mesmerizing, and the captivating moment of truth presented in the finale is a stirring revelation. It's easy to see how this film pointed the way for the studied new wave romances to come, like Michelangelo Antonioni's L'AVVENTURA, Godard's CONTEMPT and even Stanley Donen's TWO FOR THE ROAD.