7.4/10
8,146
36 user 57 critic

Journey to Italy (1954)

Viaggio in Italia (original title)
Not Rated | | Drama, Romance | 8 September 1954 (Italy)
Trailer
1:48 | Trailer
An unhappily married couple attempts to find direction and insight while vacationing in Naples.

Director:

Roberto Rossellini

Writers:

Vitaliano Brancati (story and screenplay), Roberto Rossellini (story and screenplay)
3 wins. See more awards »
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Cast

Complete credited cast:
Ingrid Bergman ... Katherine Joyce
George Sanders ... Alex Joyce
Maria Mauban Maria Mauban ... Marie (as Marie Mauban)
Anna Proclemer ... La prostituta
Paul Muller ... Paul Dupont
Anthony La Penna Anthony La Penna ... Tony Burton (as Leslie Daniels)
Natalia Ray ... Natalie Burton (as Natalia Rai)
Jackie Frost Jackie Frost ... Betty
Learn more

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Storyline

Married for eight years with no children, Brits Katherine and Alex Joyce are driving to Italy, their ultimate destination just outside of Naples to sell the villa they have just inherited from his uncle, the villa where they will be staying during their time there. On the drive, they come to the realization that this trip marks the first time that they have truly been alone together, and as such don't really know one another in the true sense. While in Italy, they end up mainly embarking on pursuits separate from each other - Katherine preferring the cultural, Alex preferring "company" including with some acquaintances they didn't know were in Naples until running into them on their first night in the city - and on the few occasions when they do spend time together, there is a tension and an underlying increasing want on both sides to hurt the other emotionally in their individual beliefs of what the other is thinking or has done in their time apart. As their marriage slowly falls ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

A Dramatic and Unusual Love Story!

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
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Did You Know?

Trivia

The hotel the Joyces stay in in Naples is also used once in The Sopranos (1999). See more »

Goofs

After deciding to leave Pompeii, and walking down the stairs for the exit, the arm and shoulder of a crew member appear in the lower right side of the screen. See more »

Quotes

[first lines]
Alex Joyce: Where are we?
Katherine Joyce: Oh, I don't know exactly.
See more »

Connections

Featured in Histoire(s) du cinéma: Les signes parmi nous (1999) See more »

User Reviews

A patient, beautiful film that portrays a convincing marriage in crisis against the beauty and details of Naples
23 August 2004 | by bob the mooSee all my reviews

The death of her uncles brings married couple Catherine and Alex to Naples in order that they might handle the sale of their inherited villa. From the first journey they make together, there is a real frost in the air and an apparent lack of love between them. After several difficult nights together where they acknowledge the tenuous state of their relationship and decide to use the holiday to spend time apart as opposed to being alone together. As Catherine heads off to catch up on the history and museums of the area while Alex idles around Capri, flirting and enjoying the friendly company of the young ladies he meets there.

It has been said that not a great deal happens in this film and those that say this are mostly correct – but they are not being critical of this fact, merely stating it. The basic plot is: couple comes to Italy with marriage problems and, in between fights, travel around the area – and that's about it in terms of definable action. However to simply leave it at that is to do this film a great injustice because so much of it is about more than just what is happening at any given moment and it is actually a beautifully shot and moving story of love within marriage. We join the story where Catherine and Alex (in a very well drawn marriage) have both come to the conclusion that their marriage must nearly be over. Neither really wants that but neither can manage to make things change; frustrated they go off and travel around Naples alone.

At this point the film balances two aspects with real skill. On one hand the film is a really intimate travel film, not just focusing on the sweeping scenery of the region but getting closer, looking at the specific histories, sites of interest and the people that reside there. Its strength is that it is never just about this because the scenery is just the backdrop for the two characters to discover themselves undergoing soul searching – but in a casual manner, not a heavy, gut wrenching fashion, more of a dawning realisation than anything else. This is subtly down and all the better for it; a convincing marriage that has been worn away to the point that the couple have simply forgotten to just be in love and instead have allowed other aspects of their relationship (the sarcasm, the niggling, the familiarity) to become the main part of their daily interactions. Those who have not been married or in a long-term relationship may not 'get' this film but I can assure you that it will likely be recognisable to you if you have been.

The chemistry between Sanders and Bergman is very convincing – I felt like there had been love between them but it had just been forgotten. Individually they both played their parts really well – there was no real 'eureka in the bathtub' moment until the end but, up till then, we had seen both the characters pick up little things along the way in a very able manner. The support cast were all good trimming round the edges but, in the version I saw, the dubbing into English was a little heavy at times and made it difficult to judge their performances. However the three stars here are all very good and drive the film without anybody else. Three stars? Sanders, Bergman and Naples itself.

Overall this is a slow film that has very little happening in it and, for that reason, it may frustrate some modern audiences who prefer their romantic dramas to have more spark and energy to it – however this is much more convincing for being subtle and elegant. The playing of Sanders and Bergman is pitch perfect and help keep our interest in their marriage alive, while the detail and sweep of Naples is well used as a suitable backdrop for them to rediscover their love against. If it were remade today it would be a massively different film, but this should be enjoyed for what it is – a great film that is of its time and should be enjoyed as such even if it requires at least a bit of patience.


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Details

Country:

Italy | France

Language:

English | Italian

Release Date:

8 September 1954 (Italy) See more »

Also Known As:

Strangers See more »

Filming Locations:

Naples, Campania, Italy See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »

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