Once a year the fair comes for one day to the little town 'Sainte-Severe-sur-Indre'. All inhabitants are scoffing at Francois, the postman, what he seems not to recognize. The rising of the... See full summary »
Monsieur Hulot curiously wanders around a high-tech Paris, paralleling a trip with a group of American tourists. Meanwhile, a nightclub/restaurant prepares its opening night, but it's still under construction.
A boxer is out in the country with his entourage, training for his next fight. Meanwhile, on the farm nearby, Roger is neglecting his chores. As he watches the boxer and his sparring ... See full summary »
Monsieur Hulot goes on a holiday to a seaside resort, but accidents and misunderstandings follow him where ever he goes. The peace and quiet of the hotel guests don't last very long with Hulot around, because although his intensions are good, they always turn out catastrophically.Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
Jacques Tati recounted later in life that he had been heavily criticized for perceived weak dialogue when this film came out. Tati claimed that his intention was to make the dialogue as realistic as possible (and thus, simple or boring) to capture the banality of real vacationers. See more »
After his arrival, Msr. Hulot leaves from the hotel reception desk and makes for his room, neither being handed the room keys nor being told the room number. How does he know which room to go to? See more »
Tati is simply one of the foremost artists of the cinema. I wish I had discovered him sooner. M. Hulot's Holiday was the second feature film he directed after Jour de fete (unavailable in America at the present time). It was also the first of the Hulot series, introducing us to one of the best and most endearing characters cinephiles are ever likely to meet: M. Hulot.
However, no matter how endearing Hulot is, make sure you don't come into a film like M. Hulot's Holiday expecting a laugh riot. This particular film is not (although Mon Oncle, if you're perceptive enough, is). The comedy here, although there are some hilarious moments, puts most of its trust in slow build-ups and extraordinary cleverness. This film is an attempt to make comedy beautiful, and it succeeds oh so well. You will love all the characters, and, as the week draws to a close, you may feel sad. Although at this point I like Mon Oncle more than M. Hulot's Holiday (I have seen Mon Oncle 3 times and Holiday only once), this one is still a masterpiece, of mood if not for anything else. 10/10.
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