Elderly couple Shukishi and Tomi Hirayama live in the small coastal village of Onomichi, Japan with their youngest daughter, schoolteacher Kyoko Hirayama. Their other three surviving adult children, who they have not seen in quite some time, live either in Tokyo or Osaka. As such, Shukishi and Tomi make the unilateral decision to have an extended visit in Tokyo with their children, pediatrician Koichi Hirayama and beautician Shige Kaneko, and their respective families (which includes two grandchildren). In transit, they make an unexpected stop in Osaka and stay with their other son, Keiso Hirayama. All of their children treat the visit more as an obligation than a want, each trying to figure out what to do with their parents while they continue on with their own daily lives. At one point, they even decide to ship their parents off to an inexpensive resort at Atami Hot Springs rather than spend time with them. The only offspring who makes a concerted effort on this trip is Noriko ...Written by
American cinema expert Donald Richie took Satyajit Ray to see the film. Ray was overcome with emotion by the end. See more »
At timer mark 1:45:46, when the children are visiting their mother at home and leave the room to talk with the father in an adjoining room, just as they sit on the floor, you see the shadow of the boom-mic just drop into the scene and back out again, just over the sons head on the top right of the screen. This shadow is well into the frame against the edge of what appears to be a bookshelf and should not be considered a masking mistake of the projectionist. See more »
I'm afraid we expect too much of our children. They lack spirit. They lack ambition. I've told that to my son. He said that there are too many people in Tokyo. That it's hard to get ahead. What do you think? Young people today have no backbone. Where is there spirit? That's not how I raised him!
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Two women are sitting on tatami mats. They are smiling and talking. One of
them says, "Isn't life depressing?" Wow... that pretty much says it.
Tokyo Story is defenitely one of the finest movies ever made. Easy. I don't care what anyone says: slow or not, this is one of Ozu's finest films. Very few movies have made my cry, but I did indeed weep at this movie. All of the acting
performances are very believeable, especially Hara's. The interesting knee- level tatami cinematography suits the film perfectly. Even the music is
What really gets me with Tokyo Story is how stunningly realistic it is. From the dialogue to the story, everything feels like real life. No matter what language you speak, what culture or country you hail from, this element is universal.
It's pretty much perfect... every character is fleshed out, there are no plot holes left open... I can't find anything to complain about it! 50 years after its release and it's still very contemporary... damn.
I give it **** out of ****.
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