| Cast overview, first billed only: | |||
| Chishû Ryû | ... | Shukichi Hirayama | |
| Chieko Higashiyama | ... | Tomi Hirayama | |
| Setsuko Hara | ... | Noriko Hirayama | |
| Haruko Sugimura | ... | Shige Kaneko | |
| Sô Yamamura | ... | Koichi Hirayama | |
| Kuniko Miyake | ... | Fumiko Hirayama - his wife | |
| Kyôko Kagawa | ... | Kyôko Hirayama | |
| Eijirô Tôno | ... | Sanpei Numata | |
| Nobuo Nakamura | ... | Kurazo Kaneko | |
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Shirô Ôsaka | ... | Keizo Hirayama |
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Hisao Toake | ... | Osamu Hattori |
| Teruko Nagaoka | ... | Yone Hattori | |
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Mutsuko Sakura | ... | Oden-ya no onna |
| Toyo Takahashi | ... | Rinka no saikun (as Toyoko Takahashi) | |
| Tôru Abe | ... | Tetsudou-shokuin | |
Elderly couple Shukishi and Tomi Hirayama live in the small coastal village of Onomichi, Japan with their youngest daughter, schoolteacher Kyoko Hirayama. Their other three surviving adult children, who they have not seen in quite some time, live either in Tokyo or Osaka. As such, Shukishi and Tomi make the unilateral decision to have an extended visit in Tokyo with their children, pediatrician Koichi Hirayama and beautician Shige Kaneko, and their respective families (which includes two grandchildren). In transit, they make an unexpected stop in Osaka and stay with their other son, Keiso Hirayama. All of their children treat the visit more as an obligation than a want, each trying to figure out what to do with their parents while they continue on with their own daily lives. At one point, they even decide to ship their parents off to an inexpensive resort at Atami Hot Springs rather than spend time with them. The only offspring who makes a concerted effort on this trip is Noriko ... Written by Huggo
I can't take my mind off this movie. The story is both universally human (old age, the end of life, parents and children) and specifically Japanese. The movie tells the viewer so much about Japanese middle class life in the 1950s: eating and sleeping; mourning the war dead; clothes and home furnishings; spoiled kids; a doctor's office; a schoolroom; life in Tokyo and small towns; how family members talk to each other; old men's drinking habits; a resort hotel. But while we see all these details of a real time and place, we are constantly drawn into reflection on the meaning of human life and relationships. The reflection emerges effortlessly from the simple narrative and the specifics. The director never annoyingly tells us how to feel, he is not preaching and not drawing attention to himself. (There is none of that "hey, I'm making a moving movie" crud that you get in Hollywood treatment of these topics). He just lets the story unfold in a quiet, natural way. It's not for folks who only like "action" movies. I put "action" in quotes because this movie is about the real action in life--enjoying life, sharing it with others, facing the end of it.