Complete credited cast: | |||
Randolph Scott | ... | ||
Lex Barker | ... | ||
Phyllis Kirk | ... | ||
Charles McGraw | ... | ||
Henry Hull | ... |
Lt. Col. Chandler
|
|
Elisha Cook Jr. | ... |
Joseph Standish
|
|
Hugh Sanders | ... |
H.L. Balfour
|
|
Lane Chandler | ... |
Mike Faraday
|
|
James Brown | ... |
Conrad
|
|
Fess Parker | ... |
Kirby
|
|
![]() |
Mark Dana | ... |
Lt. Williams
|
It's 1869, Texas has not yet been readmitted to the Union, and carpetbaggers have taken over the state. Federal Captain Porter, a Texan, has to carry out orders against his own people. He brings in the rebel leader whom he knows is innocent of the murder for which he is charged. But in trying to prove his innocence, Porter now finds he is a wanted man. Written by Maurice VanAuken <mvanauken@a1access.net>
Complex western that manages pretty well to stay afloat. You may need a scorecard since the screenplay involves four different factions bouncing off one another. Scott displays his usual iron-jawed determination as the captain torn between loyalty to his native Texas and the Union cavalry. The bad guys, as usual in these post-Civil War oaters, are the greedy carpetbaggers, headed up by that excellent actor Hugh Sanders. And who can overlook perennial fall guy Elisha Cook doing his usual fierce rabbit bit.
The rivalry between the two captains, Scott and Barker, is an interesting feature, especially when it extends to Scott's wife (Kirk). That scene where the home-sick wife is captivated by the handsome Barker is both well played and unusual for a western. Note too how Scott is compelled by the byplay to fade into the background, another unusual feature for a western hero.
Though filmed just west of LA, the rolling scenery makes a good Technicolor backdrop to the action. Much credit for making the elements work should go to director de Toth who was skilled at handling conflict as shown in his masterwork, Ramrod (1947). The redoubtable Sam Peckinpah also selected de Toth to direct many episodes of his groundbreaking TV series The Westerner (1960).
On the whole, it's a complicated story of personal and political conflict but still delivers the goods for fans of westerns.