In 1935, after forty years in a West Virginia prison, three released convicts wish to open a legitimate business using the twenty-five thousand dollars earned in jail, but a crooked prison guard in cahoots with the town banker plans to defraud them.
In 1946, ex-Navy engineer Steve Martin comes to a Louisiana town with a dream: to build a safe platform for offshore oil drilling. Having finessed financing from a big oil company, formerly penniless Steve and his partner Johnny are in business...and getting interested in shrimp-boat captain Rigaud's two lovely daughters. But opposition from the fishing community grows fast, led by Stella Rigaud. Other hazards include sabotage, a hurricane...and a treacherous board of directors.Written by
Rod Crawford <firstname.lastname@example.org>
Although filmed in the standard 1.37-1 aspect ratio, this film was chosen by Universal-International as its first widescreen feature, accomplishing this by cropping the top and bottom and projecting it at 1.85-1 at Loew's State Theatre in New York City, as well as other sites. Its initial presentation also marked U-I's first use of directional stereophonic sound. See more »
The townspeople secure a restraining order from the state to stop the blasting in the Gulf of Mexico. Since the blasting is further than 3 miles from shore, the state would not have jurisdiction- these are Federal waters. See more »
The posted comment about wanting to see the "widescreen" version needs to be addressed.
As the listing for the film indicates, Thunder Bay was filmed with a standard Academy ratio of 1.37x1. That was the way it was meant to be shown. Universal then chopped off the top and bottom of the image - totally destroying the spatial integrity of the image - to claim that it was a "widescreen" film.
It must have looked awful. Count yourself lucky you don't get to see it.
(This horrible trick was also tried for the mid 1960s reissue for Gone With the Wind, where it was blown up to 70mm and released in a 2.35x1 ratio, which was just awful.)
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