Radio singing star, Eve Porter, wants a vacation during her show's summer hiatus, but her manager and press have booked her for additional work. She refuses and goes to Las Vegas. When she ... See full summary »
Robert B. Williams
One of Anne's best films. An American diplomat's wife meets an Italian vintner at an embassy soirée. He sees her as more than just her "husband's hostess". Her husband has been so focused ... See full summary »
A married American woman has gotten involved with another man while visiting relatives in Rome. She decides that the time has come to break off the relationship, and she makes plans to return home to her husband. But she soon realizes that she is not at all sure about what she wants to do, and she continues to agonize over her decision.Written by
Why did you come with me?
You didn't look very wicked. I'm not an imaginative woman. It was you. It was Rome! And I'm a housewife from Philadelphia.
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Although Selznick is not the official producer, he manages to get 'Selznick Releasing Organization inc' in small letters under the film's main title- immediately before " A Vittorio de Sica Production". See more »
The concept of "Stazione Termini" has always been highly appealing to me. In the mode of "Brief Encounter," which director David Lean brought successfully to the screen earlier, "Stazione" potentially offers the same rewards.
The combination of director Vittorio De Sica and writer Cesare Zavattini was natural. Likewise, the pairing of Montgomery Clift and Jennifer Jones was intriguing.
Yet, the efforts of all these great talents failed to produce the monumental work expected. What went wrong?
The contribution of David O. Selznick, while thoroughly professional as always, may have strangely thrown off the delicate balance.
This was very much an Italian work. The American actors were portraying characters who were essentially visitors to a foreign land--guests and tourists operating within the cultural discretion of their Roman hosts. Where these characters failed to completely understand and operate with respect to the Italian sensibility and heritage, so Mr. Selznick may likewise have inadvertently intruded upon the proceedings by introducing his own distinctive American values and approaches to filmmaking.
In short, Selnick and De Sica did not mix well here. To this viewer, the production would have been much more viable had Selnick remained more in the background, allowing the proven creativity of the De Sica team to work its own magic.
Likewise, a more distinctive score could have made a considerable difference. While the music was most appropriate, it did not make a truly "classic" statement. Finally, the unfortunate editing paired the film down to so short a duration that the drama simply lacked the time to make a moving impression. "Stazione" seems as much a mood as character piece, and De Sica required footage to accomplish this.
Despite these shortcomings, "Stazione Termini" contains beautifully modulated performances by Clift and Jones, as the sad lovers who must part and go their separate ways. De Sica's direction is sensitive and compassionate, and the film remains a poignant moment in the lives of two lonely people clinging to one final opportunity to express forbidden love.
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